On January 1, 1968, the song "Regay (Lonely Goatherd)" was released by Tommy McCook, The Supersonics. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Regay (Lonely Goatherd)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Here Comes the Duke (Expanded Version)" album is number 7 out of 26. On top of that, United Kingdom appears to be the country where this track was created. Regay (Lonely Goatherd) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Regay (Lonely Goatherd) by Tommy McCook, The Supersonics to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hooligan | Dub Specialist | E Minor | 7 | 9A | 79 BPM | ||
| Better Days | Carlton & The Shoes, Carlton Barrett | B♭ Major | 8 | 6B | 168 BPM | ||
| Mother Young Gal | Desmond Dekker & The Aces | B♭ Major | 4 | 6B | 86 BPM | ||
| Shades of Hudson | Dennis Alcapone | F Minor | 6 | 4A | 94 BPM | ||
| Rockfort Rock | The Sound Dimension | G Major | 5 | 9B | 84 BPM | ||
| I'm in the Mood for Love | The Techniques | C Major | 3 | 8B | 79 BPM | ||
| Everybody Loves a Winner | Dandy Livingstone | F Minor | 4 | 4A | 113 BPM | ||
| Real Rock - Skinheads on the Dancefloor | Soul Vendors | G Major | 8 | 9B | 123 BPM | ||
| It's Alright | Ken Parker | C Major | 5 | 8B | 142 BPM | ||
| Wipe Your Weeping Eyes | Justin Hinds & The Dominoes | E Minor | 5 | 9A | 131 BPM | ||
| Mosquito 1 | Dennis Alcapone | A♭ Minor | 5 | 1A | 156 BPM | ||
| Cry Little Girl, Cry | Tyrone Evans, Tommy McCook, The Supersonics | D♭ Major | 7 | 3B | 177 BPM | ||
| Say What You'r Saying | Clancy Eccles | G Major | 6 | 9B | 130 BPM | ||
| The Yellow Basket (with Tommy McCook & Lester Sterling) | Lynn Tait | E♭ Major | 3 | 5B | 106 BPM | ||
| Bongo Gal | Desmond Dekker & The Aces | B♭ Major | 6 | 6B | 122 BPM | ||
| Oh Babe (Sick and Tired) | The Techniques | A Major | 5 | 11B | 90 BPM | ||
| Everybody Needs Love | Slim Smith | F Minor | 6 | 4A | 153 BPM | ||
| Soul Love | Joey & Group, Tommy McCook, The Supersonics | F Major | 5 | 7B | 76 BPM | ||
| Secretly | Hortense Ellis | G Major | 4 | 9B | 84 BPM | ||
| I'll Get Along Without You | The Melodians | G Major | 4 | 9B | 95 BPM | ||
| I'm Your Puppet | Dandy Livingstone | C Minor | 4 | 5A | 75 BPM | ||
| Heavy Rock | The Sound Dimension | A Major | 5 | 11B | 77 BPM | ||
| Fight Too Much | Justin Hinds, The Dominoes | C Major | 3 | 8B | 97 BPM | ||
| Weather Report | The Tenors | D♭ Major | 7 | 3B | 74 BPM | ||
| You Don't Know | Bob Andy | C Major | 5 | 8B | 128 BPM |