Arthur Sullivan, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's 'Overture, Original version' had a release date set for January 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's "Gilbert & Sullivan: Ruddigore" album is number 1 out of 35. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Overture, Original version is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Overture, Original version by Arthur Sullivan, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
| The Yeomen of the Guard / Act 2: "A man who would woo a faie maid" | Arthur Sullivan, Kurt Streit, Sylvia McNair, Thomas Allen, Jean Rigby, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 67 BPM | ||
| Ol’ Man River | Michel Bell | F♯ Major | 6 | 2B | 136 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM | ||
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| 180 - Jesus é a Luz que veio ao mundo | Orquestra Sacra | E Major | 4 | 12B | 79 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | B♭ Minor | 2 | 3A | 118 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Article | RECUERDO | E Major | 4 | 12B | 79 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Acte I - Tableau I : "Où est Blanche" | Francis Poulenc, Jean-Pierre Marty | D Major | 2 | 10B | 84 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM |