Pujya Bhaishree Rameshbhai Ojha's ' "Shree Rudraashtakam" was released on its scheduled release date, December 1, 1974. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shiv Mala, Vol. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Shree Rudraashtakam is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shree Rudraashtakam by Pujya Bhaishree Rameshbhai Ojha having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Mangal Bhawan Amangal Hari - Part 1 | Rakesh Kala | F♯ Minor | 7 | 11A | 81 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Mahakal Bhairav Ashtakam | Vidhi Sharma | A Major | 7 | 11B | 90 BPM | ||
| Hamare Saath Jab Raghunath | Kumar Vishwas | D♭ Major | 4 | 3B | 94 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
| Bansi Bajaiya | Sankalp Yaduwanshi, Pankaj VRK | E♭ Major | 7 | 5B | 93 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Mangal Murti Ram Dulare | Manoj Mishra | D Minor | 6 | 7A | 95 BPM | ||
| Jaise Suraj Ke Garmi Se | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Data Ek Ram | Hari Om Sharan | F♯ Major | 4 | 2B | 173 BPM | ||
| Shri Banke Bihari Teri Aarti Gaun | Satish Dehra, Mukul Soni | A♭ Major | 6 | 4B | 150 BPM | ||
| Kakbhusundi Path | Morari Bapu | A Major | 7 | 11B | 100 BPM | ||
| Shyam Na Mila | Indresh Upadhyay | D Major | 6 | 10B | 96 BPM | ||
| Sanware Aye Jaiyo | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 145 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Ho Gaye Bhav Se Par Lekar Nam Tera | Priyanshu Sharma | E♭ Major | 5 | 5B | 106 BPM | ||
| More Karuna Ki Bhandar | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 3 | 3A | 77 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Gopal Sanwariya Mere | Vinod Agarwal | E♭ Major | 4 | 5B | 107 BPM | ||
| Sri Damodarashtakam | ISKCON Bangalore | F♯ Minor | 5 | 11A | 128 BPM | ||
| Sada Sarvada Yog Tuza Ghadava | Mahesh Hiremath, Shubhangi Joshi | B♭ Major | 3 | 6B | 79 BPM | ||
| Om Sham Shanicharaya Namah 108 Times (Shani Saturn Mantra) | Manjeera Ganguly | D Major | 5 | 10B | 81 BPM | ||
| He Sharde Maa | Sachin Limaye, Dr. Dipali Bhatt | C Major | 3 | 8B | 130 BPM |