"Intermission" by Ravi Shankar had its release date on 1982. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Intermission's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Fenton, Ravi Shankar's "Gandhi (Original Motion Picture Soundtrack)" album is number 7 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Intermission's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermission by Ravi Shankar to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dedication Of The Mahamudra Meditation | Bokar Rimpoche | E Major | 1 | 12B | 47 BPM | ||
| Rendezvous with Rama | Baluji Shrivastav, Re-Orient | D♭ Major | 5 | 3B | 158 BPM | ||
| Raga Baïragi-Bhaïrav - Vilambit Tîn-Tal | Ram Narayan, Suresh Talwalkar, François Auboux | B♭ Minor | 2 | 3A | 104 BPM | ||
| Nectarine (Raag Bihag) [feat. Praashekh Borkar] | Shoonyam, Praashekh Borkar | D Major | 5 | 10B | 90 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Hanuman Chalisa | Bhagavan Das | F Major | 6 | 7B | 108 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Brochevarevarurar | A. Kanyakumari | C Major | 5 | 8B | 79 BPM | ||
| Ras Ke Bhare | Girija Devi | D Major | 5 | 10B | 71 BPM | ||
| Naked | Anoushka Shankar | D Major | 1 | 10B | 81 BPM | ||
| Saucha | Baird Hersey & Prana | E Major | 1 | 12B | 171 BPM | ||
| Temple Scene and Dance Practice | Ravi Shankar | G Major | 5 | 9B | 127 BPM | ||
| Spinning Wheel | Sissaya Heyku | D Major | 3 | 10B | 172 BPM | ||
| Ram Chanting at 432Hz | Vedic Moon, Vic Vision | C Major | 0 | 8B | 70 BPM | ||
| Blessings of the Heart, Pt. 2 (Iman Kalyan) | Ali Akbar Khan | G Major | 5 | 9B | 138 BPM | ||
| Passage | Alam Khan | A♭ Major | 7 | 4B | 127 BPM | ||
| Dama Dam | Fanna-Fi-Allah | F♯ Minor | 7 | 11A | 136 BPM | ||
| Sarod Todi Alap | Bapu Padmanabha | B Major | 2 | 1B | 115 BPM | ||
| The Last Poem | Bickram Ghosh | B♭ Minor | 0 | 3A | 83 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| Varnam | Jayanthi Kumaresh | A♭ Major | 3 | 4B | 147 BPM | ||
| Nila Kaigiradhu (Flute) | Flute Siva, Shashank Subramanyam, Patri Satish Kumar | D Major | 5 | 10B | 96 BPM | ||
| Bageshri | Hariprasad Chaurasia | A Major | 4 | 11B | 104 BPM | ||
| Folk Tune From Assam | Tarun Bhattacharya | A Major | 4 | 11B | 116 BPM |