Pujya Bhaishree Rameshbhai Ojha's 'Pyar Nahi He Surse Jisko Live' had a release date set for December 12, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 49 out of 51 in Bhajile Tu Kirtar by Pujya Bhaishree Rameshbhai Ojha, Narsi Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Pyar Nahi He Surse Jisko Live's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pyar Nahi He Surse Jisko Live by Pujya Bhaishree Rameshbhai Ojha is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaalbhairav Ashtakam | Harindu | D Major | 7 | 10B | 37 BPM | ||
| Tumase Ho Jori | Rishi Nityapragya | G Minor | 3 | 6A | 88 BPM | ||
| HARE RAMA RAMA RAM - Live | Morari Bapu | B Major | 5 | 1B | 83 BPM | ||
| Ravan Rachit Shiv Tandav Stotram | Somesh Narvekar | A Major | 6 | 11B | 75 BPM | ||
| O Ishwar Bhajiye Tane | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | B♭ Major | 3 | 6B | 91 BPM | ||
| Arti Shri Ram Ji Ki | Satya Adhikari | B Major | 5 | 1B | 188 BPM | ||
| Ram Raksha Stotra Fast | Rajalakshmee Sanjay | A Major | 4 | 11B | 83 BPM | ||
| Shree Ramchandra Kripalu Bhajman By Prem Prakash Dubey | Prem Prakash Dubey | E Major | 5 | 12B | 200 BPM | ||
| Tum Ho Ganesh | Shahnaaz Akhtar | G Minor | 8 | 6A | 132 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Evening Aarti - Sukhkarta Dukhharta | Chorus | D♭ Major | 5 | 3B | 202 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Aaj Mangalvar Hai Mahaveer Ka Vaar Hai | Rakesh Kala | C Major | 7 | 8B | 95 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Sri Anjaneya Ashtothara Shatanaama Stotram | Puttur Narasimha Nayak | E Minor | 7 | 9A | 90 BPM | ||
| Bolo Raam | Vikrant Mathur, Sarika Singh | A♭ Major | 5 | 4B | 150 BPM | ||
| Govardhan Waasi Sanware | Abhinay Jain | D♭ Major | 5 | 3B | 100 BPM | ||
| Ghana Din So Liyo | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| More Karuna Ki Bhandar | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 3 | 3A | 77 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Jaya Durge Laxmi | Vikram Hazra | D♭ Major | 4 | 3B | 95 BPM | ||
| Kaal Bhairav Ashtak | Kuldeep Shukla | F Major | 6 | 7B | 115 BPM | ||
| Radha Raman Sundaram | Harinaam Das | B♭ Major | 6 | 6B | 77 BPM | ||
| Hey Bajrang Bali Hanuman | Jitendra Singh | A Major | 7 | 11B | 124 BPM |