"The Call" by Paul Cantelon had its release date on March 10, 2009. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of W. (Original Score) by Paul Cantelon. The song's track number on the album is #3 out of 15 tracks. The Call is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Call by Paul Cantelon has a tempo of 48 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Call being at 48 BPM, the half-time would be 24 BPM with a double-time of 96 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| Confianza Digna | Las Guerreras | A Major | 1 | 11B | 60 BPM | ||
| Leyenda Viviente | el jievo chin | D♭ Minor | 2 | 12A | 150 BPM | ||
| I See More Distinctly Through the Rain | James Shearman, Nick Ingman | C Minor | 1 | 5A | 75 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Healthy Atmosphere - Original Mix | Elara Lilara | A Major | 3 | 11B | 84 BPM | ||
| Don't Ask Me | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Faraway Downs | FELIX MEAGHER, Baz Luhrmann, Angela Little | G Major | 3 | 9B | 90 BPM | ||
| The Promise | Debbie Wiseman | D Minor | 0 | 7A | 77 BPM | ||
| Home Again | Harry Gregson-Williams | D Major | 1 | 10B | 176 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Ritmos Diferentes | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Sin Preguntas No Hay Respuestas | Ambientes Misticos | E Minor | 1 | 9A | 120 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| The Last Serenade | Lili Haydn, Paul Cantelon | D Minor | 1 | 7A | 91 BPM | ||
| Don Beltrán | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | E Minor | 2 | 9A | 127 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| Nuevas Formas | Ambientes Misticos | C Major | 7 | 8B | 101 BPM | ||
| Diana | Aaron Zigman, Aaron Zigman Ensemble | G Minor | 0 | 6A | 65 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Dream Kiss | Marco Beltrami | G Minor | 1 | 6A | 86 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| The Revolution Devours Its Children | Federico Jusid | D Minor | 1 | 7A | 71 BPM |