On 1958, the song "Cherokee Boogie" was released by Johnny Horton. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Cherokee Boogie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Spectacular Johnny Horton". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of Cherokee Boogie is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Cherokee Boogie by Johnny Horton having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roll Muddy River | George Hamilton IV | E Major | 5 | 12B | 141 BPM | ||
| Sick, Sober And Sorry | Johnny Bond | G Major | 5 | 9B | 107 BPM | ||
| Life to Go | Stonewall Jackson | E Major | 4 | 12B | 126 BPM | ||
| Ole Slew Foot | Johnny Horton | E Major | 7 | 12B | 130 BPM | ||
| Sea of Heartbreak | Leroy Van Dyke | F Major | 8 | 7B | 98 BPM | ||
| No Help Wanted | Bill Carlisle | A Major | 6 | 11B | 108 BPM | ||
| You Can Have Her (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | C Major | 5 | 8B | 85 BPM | ||
| Boll Weevil | Tex Ritter | G Major | 5 | 9B | 171 BPM | ||
| Loose Talk | Carl Smith | D Major | 5 | 10B | 113 BPM | ||
| Wild Week-End | Bill Anderson | G Major | 8 | 9B | 76 BPM | ||
| Smoke Along The Track | Stonewall Jackson | E Major | 5 | 12B | 97 BPM | ||
| I Always Get a Souvenir | Tommy Collins | E Major | 7 | 12B | 118 BPM | ||
| All Of The Monkeys Ain't In The Zoo | Tommy Collins | E♭ Major | 5 | 5B | 115 BPM | ||
| The First Train Headin' South | Johnny Horton | F Major | 8 | 7B | 127 BPM | ||
| If A Woman Answers (Hang Up The Phone) | Leroy Van Dyke | C Major | 5 | 8B | 137 BPM | ||
| Peel Me a Nanner | Roy Drusky | E Major | 7 | 12B | 144 BPM | ||
| Turn Around and Face Me | Charlie Rich | F Major | 5 | 7B | 127 BPM | ||
| Joe's Been A-Gittin' There | Johnny Horton | D Major | 6 | 10B | 97 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| Let Me Love You | The Maddox Brothers & Rose | G Major | 6 | 9B | 96 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM | ||
| I'm An Old Pipeliner | Red Sovine | E Major | 6 | 12B | 159 BPM | ||
| Black Bear Road | C.W. McCall | G Minor | 7 | 6A | 169 BPM | ||
| The Girl On The Billboard | Del Reeves | D Major | 7 | 10B | 83 BPM | ||
| Six White Horses | Tommy Cash | D Major | 5 | 10B | 83 BPM |