"Pulling Strings" by Shoi Miyazawa had its release date on October 31, 2023. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Pulling Strings's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 47 in ARMORED CORE Ⅵ FIRES OF RUBICON ORIGINAL SOUNDTRACK by フロム・ソフトウェア サウンドチーム. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Pulling Strings is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pulling Strings by Shoi Miyazawa is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haunt of the Vomvalysts | Keith Power, Digital Extremes Ltd., Todd Haberman | D Minor | 2 | 7A | 70 BPM | ||
| Machinus Divinitus Intro | Steve Molitz | B♭ Major | 5 | 6B | 136 BPM | ||
| Red-Handed | Starbreeze Entertainment, Gustavo Coutinho | D♭ Major | 9 | 3B | 132 BPM | ||
| Derivation | Halo, Eternal Time & Space | A Major | 5 | 11B | 97 BPM | ||
| Infiltrate | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| Endless Tiers | Glen Andrew Brown | F Major | 8 | 7B | 120 BPM | ||
| Nue | 1000 Eyes, Tom Schley | D♭ Major | 6 | 3B | 132 BPM | ||
| Triptych | Stephen Barton | E Major | 4 | 12B | 136 BPM | ||
| New Era | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| The Final Combat | Stuart Chatwood | A♭ Major | 9 | 4B | 136 BPM | ||
| Whispering Snow | Piotr Musiał | F Major | 2 | 7B | 140 BPM | ||
| Code 78E | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Metroplex - Meet The Resistance | Michael McCann | B♭ Minor | 7 | 3A | 140 BPM | ||
| Unite the Wayfarers | Paul Leonard-Morgan | F Major | 5 | 7B | 125 BPM | ||
| The Project | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| The Bentusi | Paul Ruskay | F♯ Major | 3 | 2B | 128 BPM | ||
| Whispers from the Past | Im Baek Hun | D Major | 5 | 10B | 120 BPM | ||
| Prison | 1000 Eyes, Tom Schley | B Major | 9 | 1B | 120 BPM | ||
| Invasion | Takashi Onodera, Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Dehumanization | Max LL | B Minor | 3 | 10A | 115 BPM | ||
| Police Station Basement | 内山 修作 | D♭ Major | 2 | 3B | 142 BPM | ||
| Let’s Get into Trouble | Digital Extremes Ltd., George Spanos | A Major | 7 | 11B | 130 BPM | ||
| Caves | Yoshimi Kudo | D♭ Minor | 6 | 12A | 119 BPM | ||
| Nihil Est Simplex | Petri Alanko | C Major | 2 | 8B | 112 BPM |