Lightnin' Hopkins's 'Automobile (1949)' had a release date set for 2003. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Automobile (1949)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1949-1950, so we believe that "Automobile (1949)" is a single. Automobile (1949) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Automobile (1949) by Lightnin' Hopkins is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sugar Babe | Mance Lipscomb | F Minor | 3 | 4A | 98 BPM | ||
| One of These Days | Slim Harpo | B♭ Major | 9 | 6B | 122 BPM | ||
| Black Snake Moan | Blind Lemon Jefferson | F Minor | 3 | 4A | 98 BPM | ||
| Automobile Blues | Lightnin' Hopkins | B Minor | 9 | 10A | 155 BPM | ||
| Back To New Orleans | Lightnin' Hopkins | E Major | 2 | 12B | 82 BPM | ||
| Goin' Down Swingin' | Homesick James | D Major | 2 | 10B | 72 BPM | ||
| Chicago Bound - Single Version | Jimmy Rogers | A Major | 6 | 11B | 167 BPM | ||
| So Mamy Roads, So Many Trains | Otis Rush | D♭ Minor | 8 | 12A | 115 BPM | ||
| Long Way Home | Clarence "Gatemouth" Brown | B Minor | 1 | 10A | 78 BPM | ||
| God's Word | J.B. Lenoir | E♭ Minor | 2 | 2A | 89 BPM | ||
| T-Bone Blues Special | T-Bone Walker | G Minor | 4 | 6A | 120 BPM | ||
| I'm A Stranger Here | Sonny Terry and Brownie McGhee | F Minor | 2 | 4A | 106 BPM | ||
| Hoodoo Blues | Lightnin' Slim | F Minor | 3 | 4A | 98 BPM | ||
| Mean Old World | T-Bone Walker | C Major | 2 | 8B | 87 BPM | ||
| Broke Down Engine Blues | Blind Willie McTell | E♭ Minor | 2 | 2A | 114 BPM | ||
| I Woke Up This Morning | Lightnin' Hopkins | E Major | 2 | 12B | 109 BPM | ||
| Sitting On Top Of The World | Mississippi Sheiks | F♯ Major | 1 | 2B | 94 BPM | ||
| Nothing But the Devil | Lightnin' Slim | F Minor | 3 | 4A | 98 BPM | ||
| Liquor Store Blues | Sleepy John Estes | F Minor | 3 | 4A | 98 BPM | ||
| Ain't Seen My Baby | Cephas & Wiggins | A Major | 5 | 11B | 108 BPM | ||
| Rope Stretching Blues, Pt. 1 | Blind Blake | G Major | 6 | 9B | 178 BPM | ||
| How Long Blues | T-Bone Walker | B♭ Major | 2 | 6B | 71 BPM | ||
| Can't Listen No More | Big Joe Williams | C Major | 2 | 8B | 103 BPM | ||
| Hastings Street | Blind Blake | F Minor | 3 | 4A | 98 BPM | ||
| Aberdeen Mississippi Blues | Bukka White | D Major | 4 | 10B | 111 BPM |