The Fullblast's ' "Why Does Banana Get Shotgun?" was released on its scheduled release date, 2004. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Contagious Movement Theory by The Fullblast. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Why Does Banana Get Shotgun? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Why Does Banana Get Shotgun? by The Fullblast is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Art Of Nothing | The Reunion Show | C Major | 9 | 8B | 174 BPM | ||
| Going Numb | No Motiv | F♯ Minor | 9 | 11A | 115 BPM | ||
| King of the Road | Piebald | A Major | 9 | 11B | 87 BPM | ||
| Knowing When to Stop | Hey Mercedes | E Major | 10 | 12B | 77 BPM | ||
| And My Name's Dignan, so What? | A Day At The Fair | F♯ Major | 9 | 2B | 198 BPM | ||
| Broken and Burned | No Motiv | D Major | 10 | 10B | 158 BPM | ||
| Surrender | Rehasher | D Major | 10 | 10B | 110 BPM | ||
| This Is the Part | Gratitude | D Major | 9 | 10B | 154 BPM | ||
| Borrowed Time | Limits of Approach | E Minor | 9 | 9A | 109 BPM | ||
| Little Satisfactions | Grade | F Major | 9 | 7B | 87 BPM | ||
| Just a Simple Plan | Piebald | B♭ Major | 9 | 6B | 156 BPM | ||
| Hermosa | New Society | G Major | 9 | 9B | 106 BPM | ||
| The Ghost You Are | Park | B Minor | 9 | 10A | 161 BPM | ||
| For Exes | Crime In Stereo | D Major | 10 | 10B | 98 BPM | ||
| Motionless | Osker | G Major | 9 | 9B | 125 BPM | ||
| Lassies Last Dance | Daggermouth | A♭ Major | 9 | 4B | 105 BPM | ||
| You Cant Soar like an Eagle, When you Hang Out With Turkeys | Daggermouth | E♭ Major | 10 | 5B | 120 BPM | ||
| Bust Tropical | No Trigger | A♭ Major | 10 | 4B | 97 BPM | ||
| My Ignorance | Slick Shoes | C Major | 10 | 8B | 98 BPM | ||
| Conclusion | Much The Same | F Minor | 10 | 4A | 110 BPM | ||
| Feel the Ride | Counterfit | B♭ Minor | 6 | 3A | 139 BPM | ||
| Eleven to Your Seven | Hey Mercedes | A Major | 9 | 11B | 152 BPM | ||
| Duane Joseph | The Juliana Theory | F Major | 6 | 7B | 166 BPM | ||
| Termites Hollow | Grade | D Major | 9 | 10B | 89 BPM | ||
| Spoons, Gats, Prison Tats | The Fullblast | G Major | 10 | 9B | 115 BPM |