Mukesh's ' "Hum Tum Se Mohabbat Karke - Hanste Bhi Rahe" was released on its scheduled release date, January 1, 1951. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Awaara by Shankar Jaikishan, Shailendra, Hasrat Jaipuri. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Hum Tum Se Mohabbat Karke - Hanste Bhi Rahe is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hum Tum Se Mohabbat Karke - Hanste Bhi Rahe by Mukesh is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jis Desh Men Ganga Behti Hai | Mukesh | E Minor | 4 | 9A | 114 BPM | ||
| Kehta Hai Joker Sara Zamana | Mukesh | A Minor | 8 | 8A | 114 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Humsafar Mere Humsafar | Lata Mangeshkar, Mukesh, Kalyanji-Anandji | G Major | 4 | 9B | 108 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Hum Tumhen Chahte Hain - From "Qurbani" | Kanchan, Manhar, Anand | F Major | 4 | 7B | 96 BPM | ||
| Dil Lagakar Ham Yeh Samjhe | Mahendra Kapoor | F♯ Major | 5 | 2B | 101 BPM | ||
| Nain Tumhare Mazedar | Asha Bhosle, Mukesh | A Major | 4 | 11B | 93 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Zindagi Jab Bhi | Talat Aziz | F Minor | 2 | 4A | 78 BPM | ||
| Saiyan Rooth Gaye | Shobha Gurtu, Laxmikant–Pyarelal | D Major | 4 | 10B | 127 BPM | ||
| Jab Kisi Bewafa Ka Naam Liya | Talat Aziz | F♯ Minor | 3 | 11A | 89 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Yeh Tera Ghar Yeh Mera Ghar | Jagjit Singh, Chitra Singh | G Major | 6 | 9B | 119 BPM | ||
| Sur Na Saje | Manna Dey | A♭ Minor | 3 | 1A | 93 BPM | ||
| Yeh Pyar Tha Ya Kuchh Aur Tha | Sudha Malhotra, Anwar Hussain, Laxmikant–Pyarelal | D Major | 7 | 10B | 173 BPM | ||
| Hamari Saanson Mein Aaj Tak | Mehdi Hassan | G Minor | 4 | 6A | 105 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| O Mere Sanam | Lata Mangeshkar, Mukesh | G Major | 4 | 9B | 101 BPM | ||
| Teri Meherbaniyan | Shabbir Kumar | B♭ Minor | 6 | 3A | 138 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Aap Se Humko Bichhade Huye | Suman Kalyanpur, Manhar Udhas | G Minor | 2 | 6A | 79 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM |