"Collegium Regale Service, Communion: IV. Benedictus" by Herbert Howells, Eleanor Kornas, The Choir Of Trinity College, Cambridge, Stephen Layton had its release date on April 1, 2016. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 9 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Collegium Regale Service, Communion: IV. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Regale Service, Communion: IV. Benedictus by Herbert Howells, Eleanor Kornas, The Choir Of Trinity College, Cambridge, Stephen Layton to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| III. Pavane | Herbert Howells, Matthew Schellhorn | D♭ Minor | 1 | 12A | 128 BPM | ||
| We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | B Minor | 0 | 10A | 172 BPM | ||
| Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus [arr. For tenor, choir and chamber ensemble] | César Franck, Frieder Lang, Regula Schüpbach, Praxedis Hug-Rütti, Daniel Winiger, Zurich Boys Choir, Alphons von Aarburg | A Major | 1 | 11B | 66 BPM | ||
| Weihnacht | Erhard Mauersberger, Isura Madrigal Chor, Johannes Buxbaum | E♭ Major | 0 | 5B | 70 BPM | ||
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Rozes gars | Raimonds Pauls, State Choir Latvija, Māris Sirmais | E♭ Minor | 1 | 2A | 88 BPM | ||
| Credo - Howells' Missa Aedis Christi | Herbert Howells | D Major | 0 | 10B | 78 BPM | ||
| As Many as Have Been Baptized | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E Minor | 1 | 9A | 82 BPM | ||
| Hail, Gladdening Light | Charles Wood, The Sixteen, Harry Christophers | A Major | 1 | 11B | 79 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Howells: Hymnus Paradisi: IV. Sanctus - I Will Lift Up My Eyes | Herbert Howells, Choir of King's College, Cambridge, The Bach Choir, Heather Harper, Robert Tear, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 74 BPM | ||
| The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM |