The official release date for Hockets for Two Voices: VI. — by Meara O'Reilly was October 25, 2019. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Meara O'Reilly's "Meara O'Reilly: Hockets for Two Voices" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hockets for Two Voices: VI. —'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hockets for Two Voices: VI. — by Meara O'Reilly to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| After Glow | Nadi Qamar | D♭ Major | 4 | 3B | 166 BPM | ||
| Tutti Al Circo | Valentina Magaletti | F Minor | 6 | 4A | 107 BPM | ||
| Flutter | Kara-Lis Coverdale | F Minor | 8 | 4A | 122 BPM | ||
| Cellphone in the Bath | Iceblink | B♭ Major | 3 | 6B | 120 BPM | ||
| (Vibraphone, Marimbaphone, Malleted Wood, Two Synthesizers) | Josiah Steinbrick | C Major | 2 | 8B | 144 BPM | ||
| Adjust | Bendik Giske | B♭ Minor | 6 | 3A | 67 BPM | ||
| Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
| miu | Marina Herlop | C Minor | 3 | 5A | 84 BPM | ||
| Be without being seen - Movement I | Colleen | B Minor | 1 | 10A | 72 BPM | ||
| Strong, Calm, Slow | Astrid Sonne | E♭ Minor | 2 | 2A | 81 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| дуб OAK | Kate NV | D♭ Major | 4 | 3B | 170 BPM | ||
| Temple | Ellen Arkbro, Johan Graden | B♭ Major | 2 | 6B | 81 BPM | ||
| Pardieu | Bex Burch | G Major | 5 | 9B | 99 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Music for 18 Hairdressers: Braids & Fractals | Ben LaMar Gay | A♭ Major | 3 | 4B | 77 BPM | ||
| A Tale For C | Roberto Musci | B♭ Major | 5 | 6B | 134 BPM | ||
| Prelude - live in Hagakyrka | Kali Malone | F♯ Major | 0 | 2B | 61 BPM | ||
| The stars vs creatures | Colleen | A♭ Major | 2 | 4B | 130 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| The Flood Is Following Me | Caroline Shaw, Sō Percussion | B Major | 5 | 1B | 80 BPM | ||
| [Untitled] | Nuno Canavarro | D Major | 1 | 10B | 116 BPM | ||
| Dialoghi | Iceblink | E Minor | 3 | 9A | 135 BPM | ||
| Dialogue Between A Dreamer And Others | Roberto Musci, Giovanni Venosta | F♯ Major | 4 | 2B | 93 BPM | ||
| The Games: Spaceship (Arr. M. Gordon for Chamber Ensemble) | Meredith Monk, Bang On A Can All-Stars | E♭ Major | 1 | 5B | 144 BPM |