John Foxx's ' "When I Was a Man and You Were a Woman" was released on its scheduled release date, October 6, 2008. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "The Garden...Plus". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, When I Was a Man and You Were a Woman's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When I Was a Man and You Were a Woman by John Foxx having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Your Dream Of Perfect Beauty Comes True | Bill Nelson | D♭ Major | 10 | 3B | 115 BPM | ||
| The Day After | Roger Eno | D Minor | 0 | 7A | 77 BPM | ||
| A Place In The Wilderness | Roger Eno | D Minor | 0 | 7A | 76 BPM | ||
| Almost Overlooked | John Foxx, Harold Budd | C Major | 0 | 8B | 134 BPM | ||
| Merry-go-round | Gina Wood | A Minor | 2 | 8A | 127 BPM | ||
| Fyt - Remastered | This Mortal Coil | A Minor | 6 | 8A | 141 BPM | ||
| Cry the Clock Said | Gary Numan | E Major | 2 | 12B | 122 BPM | ||
| Haunted Heroes | Chris & Cosey | F Minor | 1 | 4A | 62 BPM | ||
| Taking Islands In Africa - Steve Nye Remix / 2003 Digital Remaster | Japan | D Minor | 4 | 7A | 106 BPM | ||
| Rhode Kill | Redshift | A♭ Minor | 1 | 1A | 80 BPM | ||
| The Dignity Of Labour (Part 2) - 2003 Digital Remaster | The Human League | C Minor | 10 | 5A | 129 BPM | ||
| Quiet Noise | Mark Bulled | B Minor | 4 | 10A | 112 BPM | ||
| The Hill Over Nagasaki Harbor | Cyber Zen Sound Engine | G Major | 1 | 9B | 95 BPM | ||
| Sleep Chamber | Pye Corner Audio | A♭ Major | 0 | 4B | 115 BPM | ||
| Canyon Drive | Bochum Welt | C Major | 0 | 8B | 116 BPM | ||
| Forever I And I | China Crisis | G Major | 8 | 9B | 126 BPM | ||
| A Paler Sky | Roger Eno | B♭ Minor | 0 | 3A | 73 BPM | ||
| It Would Be Like Samoa | Edgar Froese | C Minor | 4 | 5A | 79 BPM | ||
| Flood | Departida | F Major | 2 | 7B | 128 BPM | ||
| Luxury | New Musik | C Major | 4 | 8B | 130 BPM | ||
| Aguirre I Lacrime di Rei | Popol Vuh | B♭ Major | 3 | 6B | 78 BPM | ||
| Arriving | John Foxx, Harold Budd | C Major | 0 | 8B | 134 BPM | ||
| A Column of Glyphs | Richard Bone | C Minor | 2 | 5A | 85 BPM | ||
| Dorothy | Tuxedomoon, Cult With No Name | A Minor | 1 | 8A | 80 BPM | ||
| Big Man Restless | Kissing The Pink | C Major | 8 | 8B | 107 BPM |