On March 22, 2017, the song "Thare Sharne Aayo Maa" was released by Rajendra Vyas. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajendra Vyas's "Mataji Ro Singhasan" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Thare Sharne Aayo Maa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Thare Sharne Aayo Maa by Rajendra Vyas to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gajanand Maharaaj Padhro | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 8 | 4B | 87 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Ud Giya Mor Banke | Karnail Rana | A♭ Major | 7 | 4B | 92 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Uncho Rakh Nishan Shyam Ko - Vivek Sharma | Vivek Sharma | D♭ Major | 7 | 3B | 75 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Butati Dham, Pt. 5 | Rajendra Vyas | F Minor | 5 | 4A | 97 BPM | ||
| Hey Ladli Radhey | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Teri Baanki Adaa Ne O Sanwre | Sheetal Pandey | C Major | 9 | 8B | 130 BPM | ||
| Dinanath Meri Bat | Shyam Singh Chouhan | F Minor | 6 | 4A | 95 BPM | ||
| Likhde Likhde - RINKU VEER JI | Sachharab | F Major | 6 | 7B | 142 BPM | ||
| Ant Samay Mein Shyam | Pramod Tripathi | D♭ Minor | 6 | 12A | 84 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Jai Jai Bhairavi Asur Bhayauni | Kunj Bihari Mishr, Poonam Mishra | D♭ Major | 9 | 3B | 84 BPM | ||
| Kab Hoye Tor Darshan | Dukalu Yadav | C Major | 10 | 8B | 130 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Suna Hai Tere Dar Pe Aake Mohan | Pushpendra Chauhan | F Minor | 6 | 4A | 112 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| SETH TO SANWARIYO | Bhagwat Suthar | C Major | 8 | 8B | 150 BPM | ||
| Mushkil Hai Sahan Karna | Sadhhwi Purnima Ji | A♭ Minor | 10 | 1A | 110 BPM | ||
| Tere Mandir Ki Shaan Niraali | Hansraj Raghuwanshi | B Major | 7 | 1B | 80 BPM | ||
| Duniya Se Main Hara | Raju Mehra | F Major | 6 | 7B | 140 BPM |