Jim Bonney's 'Splintered Past' had a release date set for August 22, 2016. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Mafia III (Expanded Game Score)" album is number 9 out of 26. Based on our statistics, Splintered Past's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Splintered Past by Jim Bonney to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Kind Of Peace | Jesse Harlin | E Minor | 3 | 9A | 85 BPM | ||
| Shot Glass Slidin' | Justin Johnson | G Major | 4 | 9B | 111 BPM | ||
| Zombie Corpseplay | Bill Elm, Woody Jackson | D♭ Major | 2 | 3B | 127 BPM | ||
| DEADWOOD | Gary O'Slide | G Major | 2 | 9B | 79 BPM | ||
| Breaking In | Marcin Przybyłowicz | G Major | 4 | 9B | 75 BPM | ||
| In the Gutter | Pearce Roswell | F♯ Minor | 4 | 11A | 120 BPM | ||
| Dusk Of A Northern Kingdom | Adam Skorupa | C Major | 1 | 8B | 141 BPM | ||
| Farid | Jack Wall | A Major | 7 | 11B | 100 BPM | ||
| Leaving/Caper/Spaceball | Greg Edmonson | D Major | 1 | 10B | 115 BPM | ||
| All Gone (The Outside) | Gustavo Santaolalla, Alan Umstead | E Minor | 1 | 9A | 78 BPM | ||
| Injustice: Gods Among Us | Christopher Drake | D♭ Major | 4 | 3B | 88 BPM | ||
| Flight School | Johan Söderqvist, Patrik Andrén | B Minor | 6 | 10A | 106 BPM | ||
| Heavy Gauge | Dave Dexter | A♭ Major | 6 | 4B | 164 BPM | ||
| Returning | Gustavo Santaolalla | A♭ Major | 0 | 4B | 122 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Vikings Reach Land | Trevor Morris | F Major | 0 | 7B | 65 BPM | ||
| Welcome to Kyrat | Cliff Martinez | E Minor | 3 | 9A | 176 BPM | ||
| Now That This Old World Is Ending | Dan Romer | A Minor | 1 | 8A | 131 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM | ||
| Billy-Be-Frigged | Thomas Newman | C Major | 3 | 8B | 125 BPM | ||
| Nothing Is Written | Johan Söderqvist, Patrik Andrén | B Minor | 4 | 10A | 96 BPM | ||
| Second-Story Work | Greg Edmonson | A Major | 2 | 11B | 147 BPM | ||
| And They're Off | Kevin Kiner; Gustavo Santaolalla | C Major | 5 | 8B | 95 BPM | ||
| Play a Game With Me | Chris Benstead | D Major | 0 | 10B | 91 BPM | ||
| Drone Strike | Jonny Jones, Dominic Marsh | D♭ Minor | 1 | 12A | 170 BPM |