Austin Jenckes's ' "It’s A Great Day To Be Alive - The Voice Performance" was released on its scheduled release date, January 1, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in It’s A Great Day To Be Alive (The Voice Performance) and no other songs are present in the album, we classify this track as a single. Based on our statistics, It’s A Great Day To Be Alive - The Voice Performance's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of It’s A Great Day To Be Alive - The Voice Performance by Austin Jenckes to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breathing Bullets - US Radio Mix | Owen Campbell | C Major | 7 | 8B | 123 BPM | ||
| Little Calamity | Ghost Hounds | G Major | 9 | 9B | 140 BPM | ||
| Sleight of Hand | Ghost Hounds | C Major | 8 | 8B | 120 BPM | ||
| Love, Cold Beer, Cheap Smoke | Elvie Shane | A Major | 9 | 11B | 122 BPM | ||
| Troublemaker | Devon Gilfillian | C Minor | 9 | 5A | 156 BPM | ||
| Hard Time With The Truth | Kendell Marvel | G Minor | 6 | 6A | 92 BPM | ||
| Fifty Fifty | Tim Montana, Billy F Gibbons | D♭ Major | 9 | 3B | 145 BPM | ||
| Take me now | Austin Jenckes | E Major | 2 | 12B | 140 BPM | ||
| What Makes a Man | Austin Jenckes | G Major | 8 | 9B | 75 BPM | ||
| Loaded Gun | Jessta James | D♭ Minor | 5 | 12A | 80 BPM | ||
| Hangover Like You | Jade Eagleson | F Minor | 9 | 4A | 168 BPM | ||
| Saturday Night Me | Elvie Shane | F♯ Minor | 8 | 11A | 79 BPM | ||
| Daddy Raised | Jackson Dean | A♭ Major | 2 | 4B | 147 BPM | ||
| Better off Alone | Nate Fredrick | B♭ Major | 5 | 6B | 162 BPM | ||
| Lightning Strike | Bones Owens | F Major | 9 | 7B | 161 BPM | ||
| Long After Last Call | The Cadillac Three | D Major | 7 | 10B | 174 BPM | ||
| Wrong Way Home | Jacob Bryant | A♭ Major | 9 | 4B | 168 BPM | ||
| Out on the Road | The Wild Feathers | D Major | 6 | 10B | 135 BPM | ||
| Pour Whiskey on My Grave | Jacob Bryant | G Major | 8 | 9B | 156 BPM | ||
| Girl In Pieces | Drake White | F Major | 8 | 7B | 83 BPM | ||
| If We Make It to Mexico | Tyler Booth | E♭ Major | 8 | 5B | 97 BPM | ||
| Jesse James | Davisson Brothers Band | C Major | 8 | 8B | 166 BPM | ||
| Heat | The Cadillac Three | F Minor | 8 | 4A | 142 BPM | ||
| Molly | Them Dirty Roses | F♯ Major | 2 | 2B | 135 BPM | ||
| Take Me As I Am | Drake White | C Major | 8 | 8B | 170 BPM |