Howard Riley's ' "Ba-Lue Bolivar Ba-Lues Are" was released on its scheduled release date, February 15, 2010. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Ba-Lue Bolivar Ba-Lues Are's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Monk & Ellington Sessions". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Ba-Lue Bolivar Ba-Lues Are's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ba-Lue Bolivar Ba-Lues Are by Howard Riley having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Little Indian (Live in Sweden) | Yusef Lateef | C Major | 5 | 8B | 79 BPM | ||
| In Transit | Lol Coxhill | C Major | 0 | 8B | 65 BPM | ||
| Lacy Things | Melissa Aldana | F Major | 2 | 7B | 102 BPM | ||
| Always Love | R&R, Howard Riley, Terrence Richburg | D♭ Major | 4 | 3B | 78 BPM | ||
| Lucky Southern | Frank Fiedler, Joe Dinkelbach | D Major | 4 | 10B | 110 BPM | ||
| Ce sacré printemps | Martial Solal, Michel Portal | G Minor | 1 | 6A | 104 BPM | ||
| Song of the United Front | Stéphane Kerecki, Thomas Savy, Enzo Carniel, Fabrice Moreau | D Major | 3 | 10B | 61 BPM | ||
| Koma Rail | Petter Eldh, Koma Saxo, Sofia Jernberg | C Major | 3 | 8B | 110 BPM | ||
| For The First Time | R&R, Howard Riley, Terrence Richburg | C Minor | 5 | 5A | 120 BPM | ||
| Listen to Hear | Howard Riley | F♯ Minor | 2 | 11A | 117 BPM | ||
| Du Doo | Barry Guy, Howard Riley, John Stevens, Trevor Watts | G Major | 2 | 9B | 104 BPM | ||
| The Weapon of Truth | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Theme for Mark | Abdullah Ibrahim | F♯ Major | 0 | 2B | 136 BPM | ||
| Emphasis | Jimmy Giuffre, Paul Bley, Steve Swallow | A Minor | 1 | 8A | 63 BPM | ||
| Darn That Dream | Bill Evans and Jim Hall | G Major | 0 | 9B | 79 BPM | ||
| Some Echoes, Some Shadows (For John Dankworth), Pt. 3 | Michael Gibbs | B Major | 4 | 1B | 130 BPM | ||
| Puszcza | Tomasz Stańko | E Minor | 5 | 9A | 102 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| Bobby's Tune | Lage Lund | E Minor | 1 | 9A | 184 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 4, Allegretto | Nikolai Kapustin, Ophelia Gordon | B♭ Minor | 2 | 3A | 117 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| Into the Night | Randy Ingram, Drew Gress, Billy Hart | C Major | 4 | 8B | 168 BPM | ||
| Lennies Pennies | Konrad Agnas, Per 'Texas' Johansson, Johan Graden | B♭ Minor | 4 | 3A | 116 BPM | ||
| I (Suspended Variations) | Tomasz Stanko Quartet | C Major | 2 | 8B | 68 BPM | ||
| Closer | Paul Bley Trio | D♭ Major | 0 | 3B | 51 BPM |