- BPM
- 106
- Key
- A♭ Major
- Camelot
- 4B
I'm Confessin' (That I Love You) [Transcr. Francisco for Solo Piano] by Chris Smith, Lang Lang Song Details
Chris Smith, Lang Lang's 'I'm Confessin' (That I Love You) [Transcr. Francisco for Solo Piano]' had a release date set for October 17, 2025. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. I'm Confessin' (That I Love You) [Transcr. Francisco for Solo Piano]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Piano Book 2". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. In terms of popularity, I'm Confessin' (That I Love You) [Transcr. Francisco for Solo Piano] is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With I'm Confessin' (That I Love You) [Transcr. Francisco for Solo Piano] by Chris Smith, Lang Lang having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 31%
- Loudness
- -21.054 dB
- Acousticness
- 98%
- Danceability
- 53%
- Energy
- 10%
- Instrumentalness
- 88%
- Liveness
- 12%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 28%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Ruinen von Athen, Op. 113: No. 4, Turkish March (Arr. Rubinstein for Solo Piano) | Ludwig van Beethoven, Lang Lang | A♭ Major | 1 | 4B | 106 BPM | |
 | Brejeiro (Tango Brasileiro) | Ernesto Nazareth, Lang Lang | A♭ Major | 1 | 4B | 106 BPM | |
 | Ave verum corpus, K. 618 - Arr. for Solo Piano by F. Liszt | Wolfgang Amadeus Mozart, Benedetta Iardella | A♭ Minor | 1 | 1A | 71 BPM | |
 | Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | |
 | Bivouac | Pablo Murgier | E♭ Major | 1 | 5B | 95 BPM | |
 | Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM | |
 | Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | |
 | Gavota | Manuel Ponce, Pierpaola Porqueddu | D♭ Major | 1 | 3B | 71 BPM | |
 | Nocturne No. 6 in F Major, H. 40 "Cradle Song" | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Nouvelles suites de pièces de clavecin Suite in G Major, RCT 6: XII. La Poule | Jean-Philippe Rameau, Tiffany Poon | G Minor | 1 | 6A | 108 BPM | |
 | Les Indes galantes, RCT 44: Musette (Arr. for Piano by Ignaz Friedman) | Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | |
 | Feux Follets - Duo-Art 5795 | Charles Gilbert Spross, Peter Phillips | E♭ Major | 1 | 5B | 95 BPM | |
 | Scherzo No.3 in C-Sharp Minor, Op. 39 | Frédéric Chopin, Lang Lang | E Major | 2 | 12B | 79 BPM | |
 | Liszt: Liebestraum Variation (After Liebesträume, S.541, No. 3, Arr. for Piano by E. M. Fard) | Franz Liszt, Louis Philippson | C Minor | 3 | 5A | 76 BPM | |
 | Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | |
| Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor | Sergei Rachmaninoff, Lang Lang | A♭ Major | 1 | 4B | 106 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3, Andante moderato | Gabriel Fauré, Antoine Préat | A♭ Major | 0 | 4B | 69 BPM | |
 | 4 Pièces romantiques, Op. 30: No. 4, Romance sans paroles | Charlotte Sohy, Lang Lang | A Minor | 1 | 8A | 126 BPM | |
 | Violoncello Meditation (After Cello Sonata, Op. 65: III. Largo) | Frédéric Chopin, Martin Stadtfeld | C Major | 1 | 8B | 105 BPM | |
 | 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | |
 | 12 Pieces, Op. 40: No. 8, Valse | Pyotr Ilyich Tchaikovsky, Vadim Chaimovich | D♭ Major | 1 | 3B | 97 BPM | |
 | The Sleeping Beauty, Op. 66 (Transcr. Pletnev as Concert Suite for Piano): IV. Andante | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | |
 | Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Shani Diluka | F Major | 2 | 7B | 123 BPM | |
 | Rachmaninov Preghiera Piano Variation (From Piano Concerto No. 2, Op. 18, Arr. for Piano by Jan-Peter Klöpfel) | Sergei Rachmaninoff, Gabriele Bagnati | C Major | 1 | 8B | 120 BPM |
- ISRC
- DEN962501440
- Label
- L-M Records/RCA Records