"Performance One - Part 1" by Terry Riley had its release date on January 1, 1993. This song appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Persian Surgery Dervishes". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Performance One - Part 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Performance One - Part 1 by Terry Riley having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 10°C | Whatever The Weather | B Major | 8 | 1B | 120 BPM | ||
| Palmen Aus Leder - 33 RPM LP Version | Jan Jelinek | D Major | 8 | 10B | 96 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| The Oldtimer | Terry Riley | E♭ Major | 1 | 5B | 112 BPM | ||
| Comma | Christine Ott | E♭ Major | 1 | 5B | 71 BPM | ||
| Invocation | Stuart Dempster, David Gamper, Pauline Oliveros, Julie Lyon Balliet, Deep Listening Band | A Major | 0 | 11B | 75 BPM | ||
| Her First Rain | Jon Hassell | C Major | 0 | 8B | 141 BPM | ||
| Moments In Love | Kara-Lis Coverdale | A♭ Major | 1 | 4B | 73 BPM | ||
| Degree of Change | KMRU | D♭ Major | 0 | 3B | 142 BPM | ||
| Microgravity | Biosphere | F Minor | 1 | 4A | 74 BPM | ||
| Woodland Encounter | Patricia Wolf | E Minor | 9 | 9A | 144 BPM | ||
| Radian | Kelly Moran | F Minor | 1 | 4A | 77 BPM | ||
| Abschied | Popol Vuh | E♭ Minor | 1 | 2A | 82 BPM | ||
| The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | ||
| In Åland Air | Jeremiah Chiu, Marta Sofia Honer | D♭ Major | 4 | 3B | 114 BPM | ||
| Nival | Thomas Köner | F♯ Major | 0 | 2B | 143 BPM | ||
| Persepolis #1 | Iannis Xenakis | F♯ Minor | 4 | 11A | 130 BPM | ||
| Höre, der du wagst | Popol Vuh | E Minor | 0 | 9A | 86 BPM | ||
| dlp 1.1.1 | William Basinski | B Minor | 4 | 10A | 80 BPM | ||
| Nord Ambient | Masayoshi Fujita | G Minor | 0 | 6A | 67 BPM | ||
| Modul | Pole | A Minor | 3 | 8A | 94 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Energies | Pauline Anna Strom | C Minor | 5 | 5A | 128 BPM | ||
| The Blue of Distance | Elori Saxl | C Major | 1 | 8B | 101 BPM | ||
| Magdalena | Sarah Davachi | G Major | 0 | 9B | 72 BPM |