Lee Wiley, Bobby Hackett, Joe Bushkin's ' "Any Time, Any Day, Anywhere - Studio" was released on its scheduled release date, October 1, 2007. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Any Time, Any Day, Anywhere - Studio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "The Total - Vol. 1". In this album, this song's track order is #3. In terms of popularity, Any Time, Any Day, Anywhere - Studio is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Any Time, Any Day, Anywhere - Studio by Lee Wiley, Bobby Hackett, Joe Bushkin having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're the Cream in My Coffee | Ruth Etting | G Major | 1 | 9B | 113 BPM | ||
| All Of Me | Jimmy Dorsey & His Orchestra | D Minor | 1 | 7A | 100 BPM | ||
| Don't Be That Way | Jimmy Dorsey & His Orchestra | C Minor | 5 | 5A | 170 BPM | ||
| It;s A Woman's Prerogative | Pearl Bailey | B♭ Major | 1 | 6B | 106 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| That's My Desire | Martha Tilton | A♭ Major | 0 | 4B | 77 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | G Major | 1 | 9B | 113 BPM | ||
| Coffee and cakes | Una Mae Carlisle | E♭ Major | 7 | 5B | 80 BPM | ||
| The Object Of My Affection | The Boswell Sisters | D Minor | 1 | 7A | 137 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee | B♭ Major | 2 | 6B | 106 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| It's a Lonesome Old Town | Helen O'Connell | C Minor | 1 | 5A | 69 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| You're Just In Love (I Wonder Why) | Perry Como | D Major | 1 | 10B | 75 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| Candy | Dinah Shore | E♭ Major | 1 | 5B | 91 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| Someone to Watch over Me | Max Kaminsky, Dick Cary, Miff Mole, Ernie Caceres, Edmond Hall, Pee Wee Russell, Jess Stacy, Jack Lesberg, George Wettling, Lee Wiley | G Major | 1 | 9B | 93 BPM | ||
| Take My Heart | Carroll Gibbons, The Savoy Hotel Orpheans | G Minor | 5 | 6A | 98 BPM | ||
| The Song Is You | Dakota Staton | D Major | 5 | 10B | 132 BPM | ||
| Baby, Won't You Please Come Home? - Single Version | Ella Fitzgerald and Her Famous Orchestra | G Minor | 1 | 6A | 92 BPM |