O Lord, Look Down from Heaven by Jonathan Battishill, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley Song Details

"O Lord, Look Down from Heaven" by Jonathan Battishill, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley had its release date on October 9, 1961. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Anthems from the 17th & 18th Centuries by Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. O Lord, Look Down from Heaven is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of O Lord, Look Down from Heaven by Jonathan Battishill, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.307 dB
Acousticness: 99%
Danceability: 11%
Energy: 13%
Instrumentalness: 92%
Liveness: 9%
Loudness: 64%
Speechiness: 4%
Valence: 4%

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