Joe Loss & His Orchestra's 'Love Letters in the Sand' had a release date set for 1996. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Love Letters in the Sand's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 60 in the song's album "Time To Dance". In this album, this song's track order is #20. In terms of popularity, Love Letters in the Sand is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Love Letters in the Sand by Joe Loss & His Orchestra having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sally | Gracie Fields | C Major | 0 | 8B | 68 BPM | ||
| Always | Deanna Durbin | A♭ Major | 3 | 4B | 82 BPM | ||
| Goodnight Sweet Dreams | Isham Jones & His Orchestra | B♭ Major | 6 | 6B | 111 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| I'll Never Smile Again | Joe Loss & His Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| Gin & Gentlemen | Murmur Haven | C Minor | 3 | 5A | 201 BPM | ||
| Who | Jack Buchanan | B♭ Minor | 3 | 3A | 84 BPM | ||
| The Anniversary Waltz | Charlie Kunz | C Major | 0 | 8B | 93 BPM | ||
| Pina Colada | Harry New | D♭ Major | 3 | 3B | 128 BPM | ||
| Broad Horizon | Leonard Trebilco, Stuttgart Radio Orchestra, Kurt Rehfeld, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss & His Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Ray Ventura Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, The Melachrino Orchestra | C Major | 4 | 8B | 141 BPM | ||
| Cherry Pink and Apple Blossom White | Eddie Calvert | E♭ Major | 5 | 5B | 113 BPM | ||
| I'm Gettin' Sentimental Over You | Glenn Miller & The Dorsey Brothers | A Major | 1 | 11B | 98 BPM | ||
| Devoted to You | Bob Mervan | F Minor | 3 | 4A | 120 BPM | ||
| If I Only Had a Brain | Kay Kyser, Harry Babbitt | F Major | 4 | 7B | 130 BPM | ||
| Hunt's Goulash | Pee Wee Hunt | C Major | 3 | 8B | 178 BPM | ||
| Perfidia | Joe Loss & His Orchestra | A♭ Major | 2 | 4B | 101 BPM | ||
| Red Sails in the Sunset | Bert Ambrose, Bert Ambrose Orchestra | A♭ Major | 5 | 4B | 133 BPM | ||
| Stardust | Glenn Miller & The Dorsey Brothers | D♭ Major | 3 | 3B | 86 BPM | ||
| One Night of Love | Victor Silvester and His Ballroom Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
| Shine On, Harvest Moon | Flanagan & Allen | C Major | 4 | 8B | 119 BPM | ||
| How's Chances | Henry Hall | F Major | 1 | 7B | 79 BPM | ||
| Donkey Serenade | Gracie Fields | B♭ Major | 3 | 6B | 115 BPM | ||
| The Dickey-Bird Song | Freddy Martin | C Major | 1 | 8B | 111 BPM | ||
| You Made Me Love You | Joe Loss & His Orchestra | F Major | 2 | 7B | 84 BPM | ||
| Candy | Tommy Dorsey Orchestra | G Major | 2 | 9B | 112 BPM |