"Les Musiques, Accueil: Prélude Funèbre" by Eric Lebrun had its release date on February 10, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Musiques Et Chants Pour Les Funérailles" album is number 2 out of 32. On top of that, France appears to be the country where this track was created. Les Musiques, Accueil: Prélude Funèbre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Musiques, Accueil: Prélude Funèbre by Eric Lebrun to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Magnificat in G Minor, RV 611: V. Et misericordia (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | F Minor | 2 | 4A | 72 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Chorale Prelude 'Down Ampney' | James Flores | D Major | 0 | 10B | 81 BPM | ||
| Statio quadruplex pro Processione Theophorica, ZWV158: Misericordia tua, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | A Major | 3 | 11B | 108 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Balbastre: Marche des Marseillois et l'air Ça-ira | Claude Balbastre, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Vespro della Beata Vergine, SV 206: Sicut erat | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 2 | 6A | 55 BPM | ||
| 5 Motets: Ego Sum | Michel Piquemal Vocal Ensemble, Michel Piquemal, Eric Lebrun, Guy Ropartz | A Major | 0 | 11B | 78 BPM | ||
| Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| 5 Motets: Domine Non Sum Dignus | Michel Piquemal Vocal Ensemble, Michel Piquemal, Eric Lebrun, Guy Ropartz | D Major | 1 | 10B | 81 BPM | ||
| Wir glauben all an einen Gott | Samuel Scheidt, Bernard Foccroulle | A Minor | 1 | 8A | 71 BPM | ||
| Sonata No. 1 in D Minor, "The Annunciation": II. Aria | Heinrich Ignaz Franz von Biber, Fabien Roussel, Eric Lebrun, André Henrich, Frédéric Baldassare | D♭ Minor | 2 | 12A | 139 BPM | ||
| Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Ich ruf zu dir, Herr Jesu Christ, SSWV 200 | Samuel Scheidt, Bart Jacobs | D Minor | 0 | 7A | 99 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM | ||
| Psaume 26 "Le Seigneur est ma lumière et mon salut" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM |