"The Attic Room" by Nathan Johnson had its release date on November 22, 2019. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nathan Johnson's "Knives Out (Original Motion Picture Soundtrack)" album is number 10 out of 20. In terms of popularity, The Attic Room is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Attic Room by Nathan Johnson to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Limehouse Lane | Daniel Pemberton | G Minor | 2 | 6A | 67 BPM | ||
| Surprise Visitor | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 128 BPM | ||
| Ask the Saints | Joseph Trapanese, The Budapest Art Orchestra | F Major | 1 | 7B | 133 BPM | ||
| Court Demonstration | Joseph Trapanese, The Budapest Art Orchestra | A♭ Major | 0 | 4B | 78 BPM | ||
| Exploring Keyhouse | Torin Borrowdale | C Minor | 1 | 5A | 80 BPM | ||
| Awesome Kite / Bones Tossed Out / Construction | Douglas Pipes | A♭ Major | 0 | 4B | 77 BPM | ||
| Mr Hooper | David Arnold, Michael Price | G Major | 2 | 9B | 120 BPM | ||
| Like Father, Like Son | Nathan Johnson | D Major | 1 | 10B | 138 BPM | ||
| Security Cameras | David Arnold, Michael Price | G Major | 1 | 9B | 117 BPM | ||
| A Remedy for Poison | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Touch Nothing Else | Patrick Doyle | G Major | 2 | 9B | 95 BPM | ||
| There Are Spies Everywhere | Michael Giacchino | F Minor | 4 | 4A | 86 BPM | ||
| The Scale of the Human Heart | Bear McCreary, Sparks & Shadows | B♭ Major | 2 | 6B | 111 BPM | ||
| Chaperone Waltz | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Tellem | Bear McCreary, Sparks & Shadows | B♭ Major | 2 | 6B | 111 BPM | ||
| Charles | Siddhartha Khosla | G Major | 4 | 9B | 165 BPM | ||
| Twelve Stab Wounds | Patrick Doyle | A♭ Major | 0 | 4B | 87 BPM | ||
| Unforgiven | Jerry Goldsmith | D Major | 1 | 10B | 99 BPM | ||
| F and G Return | James Hannigan | B♭ Major | 2 | 6B | 130 BPM | ||
| Welcome to Hawthorne | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | B♭ Major | 3 | 6B | 112 BPM | ||
| James Earl Carter Jr. | Nicholas Britell | A♭ Major | 1 | 4B | 88 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Because We Love You | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Hospital Ward | Howard Shore | G Major | 2 | 9B | 112 BPM |