On 2000, the song "Charles O'conor" was released by Robin Bullock. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Charles O'conor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Lightning Field". In this album, this song's track order is #10. Based on our statistics, Charles O'conor's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Charles O'conor by Robin Bullock having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namaste | Lynn Patrick | E♭ Major | 4 | 5B | 157 BPM | ||
| Coming Home | Joachim Storl | A Major | 2 | 11B | 110 BPM | ||
| Bern 'The Bear' | Lawrence Blatt | D Major | 2 | 10B | 117 BPM | ||
| The Lark | Seamus Egan | D Major | 1 | 10B | 130 BPM | ||
| A Dream Takes Flight | Ken Verheecke | C Major | 2 | 8B | 92 BPM | ||
| Whiteout | Erwilian | G Major | 6 | 9B | 132 BPM | ||
| Guzzle Together (feat. Robin Bullock) | Chris Norman, Robin Bullock | A Major | 2 | 11B | 118 BPM | ||
| Behind Your Eyes | Jeff Titus | C Major | 2 | 8B | 166 BPM | ||
| Ashokan Farewell | Larry Pattis | D Major | 1 | 10B | 79 BPM | ||
| My True Love Away | John Reischman, Scott Nygaard, Sharon Gilchrist | G Major | 1 | 9B | 81 BPM | ||
| Snow Angels | Lynn Patrick | F♯ Major | 3 | 2B | 81 BPM | ||
| The Gathering | Will Ackerman | F♯ Major | 1 | 2B | 167 BPM | ||
| Leitrim Queen | Steve Baughman | E♭ Major | 2 | 5B | 84 BPM | ||
| Always My Love | Mike McKee | B♭ Major | 2 | 6B | 101 BPM | ||
| The Quiet Path | Doug Young | A Major | 1 | 11B | 139 BPM | ||
| Mt. Etna | John Danley | D♭ Major | 3 | 3B | 77 BPM | ||
| Fatherhood | Michael Brenner | A Major | 1 | 11B | 84 BPM | ||
| The Panhandle (Arr. L. Risk and R. Bullock) | Ken Kolodner, Laura Risk, Robin Bullock | D Major | 1 | 10B | 141 BPM | ||
| Teelin Bay Waltz | Peter Ostroushko | G Major | 1 | 9B | 67 BPM | ||
| I Don't Want to Be Sad No More | Al Petteway | E Major | 3 | 12B | 108 BPM | ||
| Give Me Your Hand | Jay Ungar, Molly Mason | G Major | 1 | 9B | 117 BPM | ||
| Doxology old Old Hundredth 1554 | Lennyn Montecinos, Soliat | G Major | 1 | 9B | 155 BPM | ||
| Danny Boy | Pat Kirtley | A Major | 2 | 11B | 112 BPM | ||
| Swing Of Time | Roberto Dalla Vecchia, Jim Hurst | D Major | 3 | 10B | 89 BPM | ||
| The Long Night | Larry Pattis | E Major | 1 | 12B | 76 BPM |