Paul Winter's 'Midnight' had a release date set for January 1, 1977. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Common Ground by Paul Winter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Midnight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Midnight by Paul Winter is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcoming | Michael Manring | D♭ Major | 4 | 3B | 82 BPM | ||
| Moon Shadows | Paul Winter | D♭ Major | 1 | 3B | 103 BPM | ||
| The Water Is Wide | Paul McCandless | F Major | 1 | 7B | 65 BPM | ||
| Angel Of The Elegies | Tim Story | D♭ Minor | 1 | 12A | 70 BPM | ||
| That Fall | Fred Simon | A♭ Major | 2 | 4B | 126 BPM | ||
| Kim | Steve Hackett | B Minor | 0 | 10A | 136 BPM | ||
| Another Wee Niece | Nightnoise | E Major | 2 | 12B | 103 BPM | ||
| Gwenlaise | Scott Cossu | C Major | 0 | 8B | 97 BPM | ||
| Ghost Bird | Shadowfax | A Minor | 0 | 8A | 143 BPM | ||
| After The Harvest | Angels Of Venice | G Major | 1 | 9B | 97 BPM | ||
| Lulie the Iceberg: "The Southern Humpback Whales came to greet him..." - Voice | Jeffrey Stock, Yo-Yo Ma, Paul Winter, Pamela Frank, Sam Waterston, Derrick Inouye, Orchestra of St. Luke's | A Major | 1 | 11B | 109 BPM | ||
| Sea Dreams - for John Masefield | Michael Hoppé, Tim Wheater | D♭ Major | 1 | 3B | 90 BPM | ||
| All The Pretty Little Horses | Laura Nashman, John Alonso | D Minor | 2 | 7A | 84 BPM | ||
| Amanecer Bambú | Angi G | A Minor | 2 | 8A | 170 BPM | ||
| Almost April | Michael Manring | G Major | 4 | 9B | 112 BPM | ||
| Coração | Egberto Gismonti | G Minor | 0 | 6A | 52 BPM | ||
| Crying Sky | Ralf Illenberger | E Major | 2 | 12B | 120 BPM | ||
| Colorado, Missouri | Todd Mosby | D Major | 1 | 10B | 82 BPM | ||
| Eternal Holly | William Ellwood | A Minor | 3 | 8A | 112 BPM | ||
| In a Dream | Peter Kater & Dominic Miller | A Major | 1 | 11B | 105 BPM | ||
| The Cuillin Hills | Billy Oskay | B♭ Major | 2 | 6B | 81 BPM | ||
| Come Close | Kainny Vig | B Minor | 0 | 10A | 136 BPM | ||
| Prelude From Cello Suite #1 | Johann Sebastian Bach, Alex de Grassi | D Major | 2 | 10B | 80 BPM | ||
| Traces (Of A Tear) | Al DiMeola Project | E Minor | 4 | 9A | 117 BPM | ||
| Guitar Etude No. 3 | Dan Fogelberg, Tim Weisberg | D Major | 3 | 10B | 83 BPM |