On March 31, 1958, the song "To The Ends Of The Earth" was released by George Shearing Quintet. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. To The Ends Of The Earth's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Shearing Quintet's "Latin Lace" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. To The Ends Of The Earth is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of To The Ends Of The Earth by George Shearing Quintet to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imagination | Chet Baker Quartet | A♭ Minor | 1 | 1A | 113 BPM | ||
| Stella By Starlight | Anita O'Day, Oscar Peterson Quartet | D Major | 1 | 10B | 75 BPM | ||
| They Can't Take That Away From Me | Mael Tormé, The Marty Paich Dek-tette | E♭ Major | 2 | 5B | 132 BPM | ||
| Yes Sir, That's My Baby | Etta Jones | A♭ Major | 4 | 4B | 147 BPM | ||
| There Will Never Be Another You | Lee Konitz, Warne Marsh | A♭ Major | 3 | 4B | 108 BPM | ||
| Loose Walk | The Three Sounds | F Minor | 5 | 4A | 95 BPM | ||
| Summer Serenade | Art Farmer Quintet | F Major | 1 | 7B | 106 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| Everybody Gets the Blues | Eric Scott Reed | F♯ Major | 1 | 2B | 70 BPM | ||
| Autumn Leaves | McCoy Tyner | G Minor | 3 | 6A | 111 BPM | ||
| Easy To Love | Ahmad Jamal | B♭ Major | 2 | 6B | 135 BPM | ||
| Our Love Is Here To Stay | Johnny Hartman | C Major | 3 | 8B | 111 BPM | ||
| Rondo | George Shearing Quintet | F Major | 6 | 7B | 129 BPM | ||
| What Is There To Say? | Dorothy Dandridge | E♭ Major | 1 | 5B | 70 BPM | ||
| Greasy | Jackie McLean | E♭ Major | 3 | 5B | 79 BPM | ||
| I Wish I Knew | John Coltrane Quartet | G Major | 1 | 9B | 105 BPM | ||
| The More I See You - Rudy Van Gelder Edition | Hank Mobley | A♭ Major | 3 | 4B | 80 BPM | ||
| Crepuscule with Nellie | Thelonious Monk | A♭ Major | 1 | 4B | 125 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| When I Fall In Love | Blue Mitchell | F Major | 0 | 7B | 96 BPM | ||
| This Is Always | Betty Carter | E Minor | 1 | 9A | 114 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM | ||
| Goru | Bee Earn | C Major | 5 | 8B | 111 BPM | ||
| Dreamer | Joe Henderson | G Major | 2 | 9B | 131 BPM | ||
| Skylark | Hoagy Carmichael | D♭ Major | 1 | 3B | 70 BPM |