"Impresión Brasiliana - Brasilian Impression" by Michaela Pühn, Rainer Fabich had its release date on October 13, 2005. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Impresión Brasiliana - Brasilian Impression's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Piano Pur - Rainer Fabich". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Impresión Brasiliana - Brasilian Impression's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Impresión Brasiliana - Brasilian Impression by Michaela Pühn, Rainer Fabich having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
| Capriol Suite: II. Pavane | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 129 BPM | ||
| Peruvian Triste - Duo-Art 6323 | Carlos Valderrama, Peter Phillips | C Minor | 2 | 5A | 121 BPM | ||
| Derwisch | Florian Dohrmann, David Orlowsky Trio | A♭ Major | 4 | 4B | 140 BPM | ||
| La Flûte de Pan - Sonata for Flute and Piano, Op. 15: Pan et les nymphes: III | Jules Mouquet, James Galway, Phillip Moll | A♭ Major | 1 | 4B | 96 BPM | ||
| Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
| Horn Concerto in C Minor, Op. 8: II. Andante | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | F♯ Major | 3 | 2B | 145 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): IV. Molto moderato | Béla Bartók, Ensemble Villa Musica | D Minor | 0 | 7A | 77 BPM | ||
| Scaramouche, Op. 165d: III. Brazileira | Sebastian Manz, Martin Klett | F Major | 3 | 7B | 108 BPM | ||
| カプリオール組曲: IV. Bransles | Peter Warlock, 石田組 | G Minor | 4 | 6A | 157 BPM | ||
| Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
| La foule | Angel Cabral, Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | A Minor | 3 | 8A | 104 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): I. Allegro moderato | Béla Bartók, Ensemble Villa Musica | A Minor | 0 | 8A | 80 BPM | ||
| Violin Sonata No. 1 in F Major, Op. 8: III. Allegro molto vivace | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM | ||
| Carmen Fantasy | Francois Borne, Jasmine Choi | G Major | 1 | 9B | 93 BPM | ||
| Fantasia for Flute Solo Flamenco | Herman Beeftink, Rama Kumaran | A Minor | 0 | 8A | 88 BPM | ||
| Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
| El Olimpo de los Dioses: VI. Hephaestus | Oscar Navarro, N/A, Royal Symphonic Band of the Belgian Guides, Yves Segers | G Minor | 5 | 6A | 141 BPM | ||
| Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: Allegretto | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | F Major | 1 | 7B | 147 BPM | ||
| Gradus Ad Parnassum | Michaela Pühn, Rainer Fabich | G Minor | 1 | 6A | 108 BPM | ||
| Suite in 3 Movements, Op. 116: III. Valse | Benjamin Godard, Kenneth Smith, Paul Rhodes | F Minor | 1 | 4A | 139 BPM | ||
| Hedonaes Traumwelt - Hedonae's World Of Dreams | Michaela Pühn, Rainer Fabich | G Minor | 6 | 6A | 120 BPM |