Michael Udow, David Tolen, Christopher Watts's ' "XVII." was released on its scheduled release date, June 1, 1994. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. XVII.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Contemporary Percussionist". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. The popularity of XVII. is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With XVII. by Michael Udow, David Tolen, Christopher Watts having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red | Yosluna | B Major | 1 | 1B | 100 BPM | ||
| lle lfe | Philadelphia Experiment | B Minor | 6 | 10A | 172 BPM | ||
| Teeth Gone | Money Spendy | G Major | 1 | 9B | 140 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Breathe | Sam Yahel, Seamus Blake, Ari Hoenig | D Major | 0 | 10B | 107 BPM | ||
| Facing the Horizon | Peter Clark | D Major | 1 | 10B | 133 BPM | ||
| Nowhere (For Bob Moses), Pt. 2 | Michael Gibbs | E Minor | 5 | 9A | 122 BPM | ||
| Strolling My Way | Joya's Electro Jazz | G Major | 7 | 9B | 128 BPM | ||
| Cangri | Harachiko | G Major | 1 | 9B | 140 BPM | ||
| Joyous Child | Chommy Starr | F Major | 9 | 7B | 111 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| Gnoumus Playing A | Deejay Gi | D Minor | 2 | 7A | 85 BPM | ||
| Gath | Vessels Of Judah | D♭ Major | 5 | 3B | 97 BPM | ||
| Picture 2 | Jack DeJohnette | C Major | 2 | 8B | 166 BPM | ||
| Rio Grande Riffs (Percussion Octet 2005) | Michael Udow, Shepherd School Percussion Ensemble, Richard Brown | G Major | 7 | 9B | 127 BPM | ||
| Tus ojos | Nedina | B Minor | 2 | 10A | 78 BPM | ||
| Si Me Conoces Aun | El Baile Del Panzon | D Major | 2 | 10B | 135 BPM | ||
| Meadowfield | Astramento | A Minor | 2 | 8A | 125 BPM | ||
| And On The Third Day (For Gary Burton), Pt. 2 | Michael Gibbs | E Minor | 4 | 9A | 118 BPM | ||
| Yesterdays | Niels-Henning Ørsted Pedersen, Sam Jones | D Major | 1 | 10B | 68 BPM | ||
| Concerto for Marimba with Percussion Orchestra | Daniel Levitan, University of Michigan Percussion Ensemble, Michael Udow | D♭ Major | 3 | 3B | 90 BPM | ||
| Green Blues | Black Smoke | G Major | 1 | 9B | 140 BPM | ||
| The Muse | Freddie Colonal | C Major | 1 | 8B | 84 BPM | ||
| Coming Home - Alternative Version | Blue Munk The Mathematikal | A Major | 4 | 11B | 63 BPM | ||
| Lullaby of the Waves | Pablo Giménez | E♭ Major | 2 | 5B | 121 BPM |