"Warte, warte, nur ein Weilchen (Arr. A. Rindfleisch for brass quintet)" by Walter Kollo, Meridian Arts Ensemble had its release date on April 2, 2013. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rindfleisch: In the Zone". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Warte, warte, nur ein Weilchen (Arr. A. Rindfleisch for brass quintet) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Warte, warte, nur ein Weilchen (Arr. A. Rindfleisch for brass quintet) by Walter Kollo, Meridian Arts Ensemble having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Wind hat mir ein Lied erzählt | Zarah Leander | D Minor | 3 | 7A | 107 BPM | ||
| Capri Fischer | Rudi Schuricke | B Major | 3 | 1B | 119 BPM | ||
| O Mädchen, mein Mädchen | Rudolf Schock | G Major | 2 | 9B | 80 BPM | ||
| Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Ball im Metropol: Ein ganzer Tag mit dir allein | Walter Kollo, Metropol-vokalisten, Bernard Ette Orchestra, Bernard Etté | B♭ Major | 3 | 6B | 124 BPM | ||
| Wenn die Elisabeth nicht so schöne Beine hätt' | Siegfried Arno | G Major | 6 | 9B | 120 BPM | ||
| La Cage Aux Folles: Song Am Strand | Theater Des Westens, Günter König | E Major | 2 | 12B | 99 BPM | ||
| Wie einst im Mai · Operette in 8 Bildern nach der Gesangsposse von R. Bernauer, R. Schanzer und W. Bredschneider, 5. Bild: Es jeht doch nischt über Berlin (Fritz, Chor) [Dreiklang-Dreimasken/Beboton] | Walter Kollo, Willi Kollo, René Kollo/Peter Falk/Mitglieder des Chores des Metropol-Theaters Berlin/Rundfunkorchester des Südwestfunks Kaiserslautern/Marianne Larsen/Michael Lerchenberg/Gisela Ehrensperger/Gunter Sonneson/April Hailer/Christina-Agnes Weiske/Hans Schu, Peter Falk, Rundfunkorchester des Südwestfunks Kaiserslautern | E♭ Major | 3 | 5B | 121 BPM | ||
| Granada | Vico Torriani | C Major | 2 | 8B | 145 BPM | ||
| So ist Paris (Paris Canaille) | Angèle Durand | C Major | 4 | 8B | 125 BPM | ||
| Was kann der Sigismund dafür dass er so schön ist | Marek Weber Tanzorchester | B♭ Major | 6 | 6B | 127 BPM | ||
| Du hast mir heimlich die Liebe | Willy Fritsch, Lilian Harvey | F Major | 3 | 7B | 182 BPM | ||
| Jettchen Gebert: Das klingt, als wenn's ein Marchen war' | Walter Kollo, Max Ehrlich, Homocord Orchesta, Felix Lehmann | B♭ Major | 3 | 6B | 124 BPM | ||
| La Cage Aux Folles: Männliche Lektion | Ensemble "Theater Des Westens", Orchester des Theater des Westens, Chor des Theater des Westens | A♭ Minor | 5 | 1A | 124 BPM | ||
| Kornblumenblau | Willy Schneider | B♭ Major | 4 | 6B | 188 BPM | ||
| Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM | ||
| Latscharilied | Stadtmusik Elzach, Narrenzunft Elzach | E♭ Major | 5 | 5B | 92 BPM | ||
| Däm Schmitz sing Frau ess durchgebrannt | Willi Ostermann | A♭ Major | 4 | 4B | 163 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Dritter Akt: Laßt uns Champus trinken - Eine Kuh so wie du - Im weißen Rössl am Wolfgangsee (Josepha - Leopold - Ottilie - Siedler - Chor) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchn | F Major | 5 | 7B | 121 BPM | ||
| Das Frankreich-Lied | Musikkorps der Fliegerhorst-Kommandantur Berlin, Arno Khn | A♭ Major | 4 | 4B | 122 BPM | ||
| Er Heißt Waldemar | Zarah Leander | F Minor | 4 | 4A | 136 BPM | ||
| Das Gibt's Nur Einmal (Christels Lied) | Lilian Harvey | G Major | 2 | 9B | 85 BPM | ||
| Heideröslein | Friedel Hensch & Die Cyprys | F Major | 3 | 7B | 123 BPM | ||
| Donaudampfschiffahrtsgesellschaftskapitän | Ernst Mosch und seine Original Egerländer Musikanten | B♭ Major | 4 | 6B | 115 BPM |