On January 31, 2026, the song "Marwa Se Barba Ke Utha Lebo" was released by Banshidhar Chaudhari. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Marwa Se Barba Ke Utha Lebo and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, Marwa Se Barba Ke Utha Lebo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Marwa Se Barba Ke Utha Lebo by Banshidhar Chaudhari to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andi Mandi Sandi Ghamandi | KTM Raja, Alka Yadav | E♭ Minor | 10 | 2A | 101 BPM | ||
| Tora Gachh Par Ke Aam Jawan Bhagelau - Maithili | Anil Yadav, Pratima Aarya | B♭ Minor | 10 | 3A | 146 BPM | ||
| Kokhiya Delaha Ujaad | Deepak Raj Yadav, Srishti Bharti | F Minor | 7 | 4A | 75 BPM | ||
| Dardya Hoybe Karte Ge | Banshidhar Chaudhari | D♭ Minor | 7 | 12A | 106 BPM | ||
| Gunda Log Hamke Bap Kahela | Tuntun Yadav, Prabha Raj | F♯ Major | 8 | 2B | 130 BPM | ||
| Ghayal Kailu Payal | Tuntun Yadav, Srishti Bharti | A Major | 9 | 11B | 110 BPM | ||
| Kahiya Le Jaibhi Deoghar Sonma | Deepak Raj Yadav, Srishti Bharti | A♭ Minor | 8 | 1A | 80 BPM | ||
| Chhauda Jab Chhaudi Ke Upar Chado Ha | Saurabh Sugam Yadav, Anjali Bharti | D♭ Major | 10 | 3B | 89 BPM | ||
| Jawani Tora Hani Karto | KTM Raja, Alka Yadav | A♭ Minor | 9 | 1A | 68 BPM | ||
| Kamar Damage - Bhojpuri | Amit Patel | A♭ Major | 10 | 4B | 145 BPM | ||
| TU APNA BAHIN KE BHEJ | Dharmendra Nirmaliya | A Major | 10 | 11B | 150 BPM | ||
| Magadh Me Karbau Tandav Ge | Sumit Singh, Sonam Yadav | C Minor | 10 | 5A | 140 BPM | ||
| Sher Hiyau Maghiya Ke | Gunjan Singh, Shilpi Raj | A Major | 10 | 11B | 150 BPM | ||
| Chail Jeabahi Apan Sasural Me | Anil Yadav, Praveen R Yadav | A♭ Minor | 10 | 1A | 145 BPM | ||
| Piparwa ke Piche | Awadhesh Premi | G Major | 9 | 9B | 84 BPM | ||
| Katil Nayanva Tor | KTM Raja, Anjali Bharti | D♭ Minor | 10 | 12A | 87 BPM | ||
| Saali Dalwe Karbau Ji | Rajeev Yadav, Shrishti Bharti | A Major | 10 | 11B | 150 BPM | ||
| Reliya Se Jaib Kati Ae Jaan | Srishti Bharti | G Minor | 10 | 6A | 130 BPM | ||
| Yarwa Rangdaar Hay Re | Sonam yadav | B♭ Major | 10 | 6B | 89 BPM | ||
| Thana Me Daroga Hamar Jat Ke Aawal Hau | Ahira Star Kundan Lal | A♭ Major | 10 | 4B | 135 BPM | ||
| Paam Mudga Palla M | Star Irfan Pahat | B♭ Minor | 10 | 3A | 120 BPM | ||
| Encounter Me Mara Jaibo | Raushan Rohi, Shristi Bharti | F♯ Minor | 9 | 11A | 89 BPM | ||
| Saheli Se Setting | Saurabh Sugam Yadav, Anjali Bharti, Preeti Tiwari | A Major | 10 | 11B | 150 BPM | ||
| Chay Garam Kari Ki Raja Ji Raura Ke | Bullet Raja, Srishti Bharti | G Minor | 10 | 6A | 145 BPM | ||
| S K DHOKEBAAZ | Aslam Singer Zamidar | C Minor | 10 | 5A | 84 BPM |