"Annunciation" by Judith Bingham, Matthew Fletcher, Geoffrey Webber had its release date on October 19, 2009. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Choir of Gonville & Caius College, Cambridge, Geoffrey Webber's "Into This World This Day Did Come" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Annunciation is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Annunciation by Judith Bingham, Matthew Fletcher, Geoffrey Webber to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| All-night Vigil, Op. 37: No. 13, Today Salvation Has Come | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 128 BPM | ||
| Ave virgo sanctissima | Judith Bingham, Imogen Russell, Birmingham Conservatoire Chamber Choir, Paul Spicer | A Major | 0 | 11B | 96 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| Mozart's Pets: V. A Canary Sings by Mozart's Death Bed | Judith Bingham, Czech Philharmonic Wind Ensemble, Shea Lolin | E♭ Minor | 1 | 2A | 99 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| Seek Him That Maketh The Seven Stars | Jonathan Dove, The Choir of Magdalen College, Oxford, Edward Byrne, Mark Williams | C Major | 2 | 8B | 128 BPM | ||
| Mass for 5 Voices, T. 3: Va. Agnus Dei I & II | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Gladsome Light | Pavel Chesnokov, Tenebrae, Nigel Short | A Major | 0 | 11B | 116 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | A Minor | 1 | 8A | 135 BPM | ||
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| The Moon over Westminster Cathedral | Judith Bingham, Stephen De Pledge | B♭ Minor | 0 | 3A | 74 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Major | 2 | 12B | 140 BPM | ||
| Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM |