J. ブラームス, 水野信行(ホルン), 青木紀子(ピアノ), W. フォーヒァルト(ヴァイオリン)'s 'ホルン三重奏曲 変ホ長調 作品40 Ⅳ. Finale, Allegro con brio' had a release date set for February 25, 2011. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There is only one song in ロマンティッシェ・ホルンムジーク, so we believe that "ホルン三重奏曲 変ホ長調 作品40 Ⅳ. Finale, Allegro con brio" is a single. In terms of popularity, ホルン三重奏曲 変ホ長調 作品40 Ⅳ. Finale, Allegro con brio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ホルン三重奏曲 変ホ長調 作品40 Ⅳ. Finale, Allegro con brio by J. ブラームス, 水野信行(ホルン), 青木紀子(ピアノ), W. フォーヒァルト(ヴァイオリン) is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 2 in C Major, D. 32: I. Presto | Franz Schubert, Melos Quartet | C Major | 1 | 8B | 83 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Goldberg Variations, BWV 988 (Arr. Sitkovetsky for String Trio): Var. 5 a 1 ovvero 2 Clav. | Johann Sebastian Bach, Leopold String Trio | G Major | 2 | 9B | 141 BPM | ||
| Sonata for Piano and Cello in D major, Op. 78: Agagio (Brahms) | Denis Brott | B♭ Major | 0 | 6B | 65 BPM | ||
| Terzetto in C Major, op. 74: I. Introduzione: Allegro ma non troppo - Live | Antonín Dvořák, Paul Neubauer, Arnaud Sussmann, Erin Keefe | C Minor | 2 | 5A | 132 BPM | ||
| 6つのピアノ小品 作品118 Ⅳ.インテルメッツォ ヘ短調 | J. ブラームス, フリードリヒ・ヴィルヘルム・シュヌアー(ピアノ) | F Minor | 1 | 4A | 133 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Wenn ich ein Vöglein wär, Op. 43, No. 1 (Arr. for Viola, Cello and Piano) | Robert Schumann, Nils Mönkemeyer | C Major | 0 | 8B | 83 BPM | ||
| Medea (Sung in Italian), Act II: Introduction [Medee] | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | B♭ Major | 1 | 6B | 109 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
| Egmont, complete incidental music, Op. 84: iii. Entracte 1: Andante | Beethoven, Maurice Abravanel, Utah Symphony Orchestra, Netania Davrath, Walther Reyer | E Minor | 2 | 9A | 82 BPM | ||
| 交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
| Sonate für Cello und Klavier "Regenlied" Op. 78 II. Adagio | J. ブラームス, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) | F Major | 1 | 7B | 69 BPM | ||
| String Sextet No. 2, Op. 36: III. Poco adagio | Johannes Brahms, Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras | E Major | 0 | 12B | 83 BPM | ||
| Guitar Quartet No. 11 in B Major, MS 38: II. Minuetto. Allegretto | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
| シューマンの主題による16の変奏曲 嬰ヘ短調 作品9 第10変奏曲 | J. ブラームス, フリードリヒ・ヴィルヘルム・シュヌアー(ピアノ) | D Major | 0 | 10B | 71 BPM | ||
| String Quartet in E-Flat Major, H-U 277: III. Romanze | Fanny Mendelssohn, Nash Ensemble | G Minor | 1 | 6A | 76 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude No. 3 in C-Sharp Major, BWV 848/1 | Johann Sebastian Bach, Colin Tilney | B Minor | 3 | 10A | 102 BPM | ||
| Serenade in C Minor No. 12, K. 388: III. Menuetto in canone. Trio in canone in rovescio | Wolfgang Amadeus Mozart, Nicolas Baldeyrou, Alexandre Chabod, Gabriel Pidoux, Hélène Devilleneuve, David Douçot, Thomas Quinquenel, David Guerrier, Hugues Viallon, Yann Dubost | B♭ Major | 4 | 6B | 133 BPM | ||
| Po zarostlém chodníčku, JW VIII/17, Book I: No. 5, Štěbetaly jak laštovičky | Leoš Janáček, Cathy Krier | A♭ Minor | 0 | 1A | 70 BPM | ||
| 6 String Quartets, Op. 3: No. 5 in D Major: II. Adagio | William Shield, The Dorrit Ensemble | C Minor | 2 | 5A | 136 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM |