On July 17, 1978, the song "Got to Be Real - Single Version" was released by Cheryl Lynn. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in Cheryl Lynn (Expanded Edition) by Cheryl Lynn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Got to Be Real - Single Version is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Got to Be Real - Single Version by Cheryl Lynn is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Are Family | Sister Sledge | D Major | 7 | 10B | 116 BPM | ||
| Instant Replay - 7" Version | Dan Hartman | A Major | 6 | 11B | 128 BPM | ||
| On Broadway | George Benson | B♭ Minor | 3 | 3A | 117 BPM | ||
| You Saved My Day | Cheryl Lynn | B Major | 6 | 1B | 112 BPM | ||
| Take That to the Bank (7" Single Version) | Shalamar | F♯ Minor | 10 | 11A | 117 BPM | ||
| Let No Man Put Asunder (Shep Pettibone 12" Mix) | First Choice | D♭ Minor | 9 | 12A | 118 BPM | ||
| Can't Get Enough Of Your Love, Babe | Barry White | F Major | 8 | 7B | 112 BPM | ||
| Till You Take My Love | Harvey Mason | F Minor | 8 | 4A | 106 BPM | ||
| Boogie Oogie Oogie - Remastered 2004 | A Taste Of Honey | D Minor | 6 | 7A | 124 BPM | ||
| All This Love That I'm Giving | Gwen McCrae | E♭ Minor | 6 | 2A | 113 BPM | ||
| Too Hot Ta Trot - Single Version | Commodores | A Major | 6 | 11B | 121 BPM | ||
| She's A Bad Mama Jama (She's Built, She's Stacked) | Carl Carlton | G Major | 5 | 9B | 113 BPM | ||
| Use ta Be My Girl - Single Version | The O'Jays | D♭ Major | 6 | 3B | 111 BPM | ||
| Funtime | Peaches & Herb | A Minor | 8 | 8A | 120 BPM | ||
| Solid | Ashford & Simpson | C Major | 5 | 8B | 101 BPM | ||
| All Night Thing | Invisible Man's Band | D♭ Minor | 8 | 12A | 122 BPM | ||
| Boogie Wonderland (with The Emotions) - 12" Version | Earth, Wind & Fire, The Emotions | D Minor | 9 | 7A | 132 BPM | ||
| Lady Marmalade - Single Version | LaBelle | C Major | 5 | 8B | 117 BPM | ||
| Come to Me | France Joli | D♭ Major | 7 | 3B | 132 BPM | ||
| Behind The Groove | Teena Marie | B♭ Major | 7 | 6B | 115 BPM | ||
| Get Down Saturday Night - Club Version - Remastered | Oliver Cheatham | B Minor | 8 | 10A | 116 BPM | ||
| Street Player | Chicago | F Major | 7 | 7B | 106 BPM | ||
| Hot Shot - Vocal Short Version | Karen Young | D Minor | 8 | 7A | 120 BPM | ||
| Sleep Walkin' | Cheryl Lynn | A♭ Major | 7 | 4B | 115 BPM | ||
| A Night to Remember | Shalamar | B♭ Minor | 8 | 3A | 109 BPM |