Rupesh Lodhi, Laxmi Thakur's ' "Maiya Bathi Silari Dham Ho Maa" was released on its scheduled release date, September 13, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Maiya Bathi Silari Dham Ho Maa and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Maiya Bathi Silari Dham Ho Maa is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Maiya Bathi Silari Dham Ho Maa by Rupesh Lodhi, Laxmi Thakur to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Govind Lagla Chhand Manala | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 81 BPM | ||
| Bheda Charda 2 | Kml Thakur, Lakshmi Thakur | A♭ Major | 5 | 4B | 200 BPM | ||
| Godi Mein Hanuman Laye Hai Anjani Mai Silari Dham Ki Mahima | Rupesh Lodhi, Lakshmi Thakur | B Minor | 4 | 10A | 110 BPM | ||
| Hello Aayo Re Saathida Baba Shyam Bulaayo Re | Lakhbir Singh Lakkha | F Minor | 6 | 4A | 169 BPM | ||
| Tere Naina | Lakshmi Thakur, Ankit Sharma, AR | D Major | 5 | 10B | 129 BPM | ||
| Siyaram Janki Rehte Hain | Ramkumar Lakha | F♯ Major | 7 | 2B | 100 BPM | ||
| Dulha Bane Hai Mahakal Raja | Gajendra Pratap Singh | E Major | 7 | 12B | 105 BPM | ||
| Waadiye Ishq Se | Alka Yagnik | D♭ Minor | 8 | 12A | 109 BPM | ||
| Main Nara-a-mastana | Abida Parveen | D Major | 8 | 10B | 168 BPM | ||
| Hare Rama Hare Krishna kertan Bhajan | Kumar Arjun | E♭ Major | 8 | 5B | 82 BPM | ||
| Ham Raton Ko Uth Uthkar | Prakash Rutha | D Minor | 5 | 7A | 142 BPM | ||
| Bundeli Bidai Geet Aai Bidai Ki Biriya doli Uthao | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Ghoomer Ko Lahenge - Live | Shobha Vyas, Pukhraj Purohit, Shamim Banu, Nashim Khan, Suvarnlata Vyas, Pushpa Trike | E♭ Minor | 5 | 2A | 78 BPM | ||
| Hari Thara Naam Hazar | Moinuddin Manchala | A♭ Major | 9 | 4B | 116 BPM | ||
| Dhin Ghadi Dhin Bhag | Bhajnanand Ji Maharaj | A Minor | 6 | 8A | 111 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Sapna Mola Kabar Aathe Vo | Aniket Dhurwey, Om Prakash Yadav | G Minor | 9 | 6A | 112 BPM | ||
| Mere Anshu Pochkar Mujhe Gale Lagaiyega | Poonam Shastri Ji | D Major | 8 | 10B | 107 BPM | ||
| Vaje Badhai Saiyo Bhanu De Darbar Aaj | Hita Ambrish | B Minor | 8 | 10A | 74 BPM | ||
| Ya Ghat Bheetar | Sounds of Isha | E♭ Major | 10 | 5B | 81 BPM | ||
| Parvati Ke Pyare Mere Bhole Baba | Kishan Bhagat | F Major | 9 | 7B | 125 BPM | ||
| Swamini Vinay Maan Leeje | Hita Ambrish | B Minor | 8 | 10A | 95 BPM | ||
| सन्त भजनानंद जी भजन मारवाड़ी भजन | Sant Bhajana Nand | A Major | 9 | 11B | 108 BPM | ||
| Irham Lana | Hamza Akram Qawwal, Taimoor Akram, Abdul Akram | G Minor | 7 | 6A | 100 BPM | ||
| Tattad Tattad | Sanjay Leela Bhansali, Aditya Narayan, Siddharth - Garima | G Major | 6 | 9B | 133 BPM |