"The Twins (Prague)" by Max Richter, BBC Philharmonic, Rumon Gamba had its release date on May 27, 2002. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Max Richter's "Memoryhouse" album is number 4 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Twins (Prague) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Twins (Prague) by Max Richter, BBC Philharmonic, Rumon Gamba to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Grey Cloud Lullaby | Slow Meadow | D Major | 2 | 10B | 63 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| The Whole Truth | Carlos Cipa | B♭ Major | 1 | 6B | 140 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| Idea | Kai Engel | D Major | 0 | 10B | 69 BPM | ||
| 20:17 | Ólafur Arnalds, Nils Frahm | E♭ Major | 0 | 5B | 108 BPM | ||
| Somehow Familiar | Fabrizio Paterlini | F Major | 0 | 7B | 75 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Fortanach - Piano Version | Sebastian Plano, Kindt | G Minor | 1 | 6A | 148 BPM | ||
| Qi | PHILDEL | G Minor | 2 | 6A | 143 BPM | ||
| Sketchbook | Max Richter, BBC Philharmonic, Rumon Gamba | B♭ Minor | 2 | 3A | 132 BPM | ||
| On Reflection | Max Richter | G Major | 1 | 9B | 67 BPM | ||
| Stay In The Dark | Lambert | E♭ Major | 1 | 5B | 130 BPM | ||
| Empire Sounds | James Heather | C Minor | 1 | 5A | 72 BPM | ||
| As She Passes | Levi Patel | A♭ Major | 1 | 4B | 119 BPM | ||
| One Note | Alberto Giurioli | C Major | 3 | 8B | 115 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| Blueprint | James Heather | C Minor | 0 | 5A | 70 BPM | ||
| Morning Love | Carlos Cipa | B♭ Minor | 2 | 3A | 92 BPM | ||
| Yellow Moon | Luca D'Alberto | A Minor | 5 | 8A | 100 BPM | ||
| Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| From the Lookout | Danny Norbury | F♯ Major | 0 | 2B | 71 BPM |