"Proud Mary" by Marion Hoffmann had its release date on June 22, 2020. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marion Hoffmann's "Marion's Rock-Hits" album is number 18 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Proud Mary's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Proud Mary by Marion Hoffmann to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 8 in D Major, G. 47: II. Andantino | Giovanni Battista Viotti, Franco Mezzena, Viotti Chamber Orchestra, Luciano Borin | A Major | 3 | 11B | 73 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM | ||
| Concerto grosso in A minor, Op.8, No.2 - Rev. Abbado: 2. Largo | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | E Major | 4 | 12B | 116 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 0 | 11B | 105 BPM | ||
| Symphony in G Major, Op. 1, No. 5 (Callen 5): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 2 | 10B | 139 BPM | ||
| Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
| VI. Passepied I & II | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 0 | 8A | 120 BPM | ||
| Trumpet Sonata in D Major, Z. 850: III. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 2 | 10B | 96 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: II. Adagio moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 111 BPM | ||
| Violinkonzert No. 5 A-Dur, KV 219: II. Adagio | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Roberto González-Monjas | E Major | 1 | 12B | 138 BPM | ||
| Violinkonzert No. 2 in D-Dur, KV 211: II. Andante | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Roberto González-Monjas | E Major | 1 | 12B | 138 BPM | ||
| Violin concerto in F major, Op.7 No.4: III Allegro | Jean-Jacques Kantorow, Orchestre d'Auvergne | C Major | 3 | 8B | 113 BPM | ||
| Tartini / Arr Thilde : Trumpet Concerto in D major : II Andante | Giuseppe Tartini, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 82 BPM | ||
| Memories Are Made of This | Marion Hoffmann | A Major | 4 | 11B | 172 BPM | ||
| Sonata In C Major, RV 779: Largo e cantabile | Gail Hennessy & Nicholas Parle | A♭ Minor | 0 | 1A | 80 BPM | ||
| Overture for 2 Violins and B.C. in A Major, Op. 13,5: II. Allegro | Jean-Marie Leclair, Musica Alta Ripa | F♯ Minor | 2 | 11A | 75 BPM | ||
| Chef’s Touch | Estoria | B Major | 2 | 1B | 120 BPM | ||
| Galuppi: Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D Minor | 2 | 7A | 141 BPM | ||
| Concerto in D for 3 trumpets, 2 oboes, timpani and strings, TWV 54:D2: iii. Largo | Telemann, Esterhazy Orchestra, David Blum | A Major | 2 | 11B | 116 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Ottone, re di Germania, HWV 15: Overture: II. Allegro | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM | ||
| Sonate für Trompete Nr. 4 D-Dur: II. Largo | Domenico Gabrielli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: III. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward Tarr | G Major | 0 | 9B | 69 BPM | ||
| Orchestral Suite No. 3 in D Major, Bwv 1068: Air | Johann Sebastian Bach, Adelaide Symphony Orchestra, Ron Spigelman | D Major | 1 | 10B | 107 BPM |