"Split, Postcards from Far Away "The Tea Room"" by Ezio Bosso had its release date on October 30, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "The 12th Room". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Split, Postcards from Far Away "The Tea Room" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Split, Postcards from Far Away "The Tea Room" by Ezio Bosso having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
| Stockholm | Melissa Parmenter | E♭ Major | 0 | 5B | 133 BPM | ||
| Dear, Dolores - Rework | Illuminine | E Major | 0 | 12B | 107 BPM | ||
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
| In a Landscape "The Smallest Room" - Re-Recorded Version | John Cage, Ezio Bosso | G Minor | 1 | 6A | 109 BPM | ||
| Bobbi Jene | Uno Helmersson | C Minor | 1 | 5A | 184 BPM | ||
| World To Come, Pt. 4 | David Lang, Maya Beiser | D Minor | 1 | 7A | 74 BPM | ||
| Steppe | René Aubry | D♭ Major | 2 | 3B | 165 BPM | ||
| Serenade for Strings, Op. 48: Mo. IV: Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Ezio Bosso, StradivariFestival Chamber Orchestra | G Major | 3 | 9B | 73 BPM | ||
| In a Landscape "The Smallest Room" | John Cage, Ezio Bosso | D Minor | 0 | 7A | 120 BPM | ||
| Optimist | Zoë Keating | E♭ Major | 2 | 5B | 138 BPM | ||
| Vleurgat | Oskar Schuster | C Minor | 2 | 5A | 132 BPM | ||
| Vientulais Engelis: Meditation for Violin and String Orchestra | Pēteris Vasks, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 3 | 11B | 107 BPM | ||
| Opaque | Hildur Guðnadóttir, Skúli Sverrisson | A Minor | 2 | 8A | 130 BPM | ||
| Dieci minuti | Andrea Farri | B Minor | 4 | 10A | 80 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Van Gogh Theme I | Tatiana Lisovskaya, Paul Cantelon | D Minor | 0 | 7A | 99 BPM | ||
| The Dancer | Christopher Ferreira | B♭ Minor | 0 | 3A | 66 BPM | ||
| Santa Monica | Giovanni Bomoll | E Major | 2 | 12B | 101 BPM | ||
| By the Roes, and by the Hinds of the Field | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 2 | 4B | 181 BPM | ||
| Revolving Door | Abel Korzeniowski | E♭ Major | 1 | 5B | 76 BPM | ||
| Invierno de Gestas | Senderos Del Destino | G Major | 5 | 9B | 80 BPM | ||
| In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM | ||
| Your Lunar Way | Federico Albanese | D♭ Major | 3 | 3B | 157 BPM |