On September 7, 2016, the song "Thevito Vishwas" was released by Fr Ramesh F D'Souza. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Thevito Vishwas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Sangeetmay Mishabali". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Thevito Vishwas is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Thevito Vishwas by Fr Ramesh F D'Souza having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saara jahan | Anil Kant, Reena Kant, Shreya Kant | G Major | 3 | 9B | 90 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Karthavam Mishiha | Wilson Piravom | D Minor | 5 | 7A | 160 BPM | ||
| Mahima Ke Prabhu | Subhash Gill, Ernest Mall | A♭ Minor | 5 | 1A | 81 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM | ||
| Aalo Sharan Tula Mi Samartha | Mahesh Hiremath, Shubhangi Joshi | A Minor | 6 | 8A | 79 BPM | ||
| Mera Khudawand Mera Masiha | Ernest Mall | C Major | 5 | 8B | 95 BPM | ||
| Ummai Padum | Swarnalatha | B Major | 6 | 1B | 146 BPM | ||
| Prabhu timro biswasyogyata | El Shaddai Kalimpong | E Major | 8 | 12B | 77 BPM | ||
| Dada Bhagwan Na Asim Jay Jaykar Ho-B | Dada Bhagwan | B Major | 7 | 1B | 88 BPM | ||
| Aavi Udal Porul | D. G. S. Dhinakaran | B Major | 4 | 1B | 116 BPM | ||
| Satyug Me Hari Dhyan Se Rijhe | Tanvi Senjaliya | A♭ Minor | 1 | 1A | 110 BPM | ||
| Bhajan Kar Mani Ram | Madan Gopal | B♭ Minor | 7 | 3A | 128 BPM | ||
| Gahra Samudar | SWEETY VIDYA, Ajit Roshan | A♭ Major | 8 | 4B | 142 BPM | ||
| Kaachhei Aachhi | Srikanta Acharya | G Minor | 5 | 6A | 158 BPM | ||
| Jeevitha Yathrakkara | Gagul Joseph | G Major | 6 | 9B | 114 BPM | ||
| Asha Jaoar Pother Dhare | Srabani Sen | A♭ Major | 3 | 4B | 126 BPM | ||
| Kundalpur Ke Rajmahal Me | Arohi Anil Agarkar, Rageshree Anil Agarkar | C Minor | 5 | 5A | 154 BPM | ||
| Masiha Ke Paon Tumhi Ho | Subhash Gill, Ernest Mall | F♯ Major | 3 | 2B | 120 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Kaatte Kadale Vaa - Traditional | Biju Narayanan | D Major | 3 | 10B | 132 BPM | ||
| Aarathanaikul Vasam Seium | Paul Thangiah, Hema John | E Major | 4 | 12B | 135 BPM | ||
| Obe Atha Digu Karala | Anton Charles Thomas | F Major | 3 | 7B | 176 BPM | ||
| Neender Bhari Re - Contemproary Folk Lullabies | Lalitya Munshaw | B♭ Major | 2 | 6B | 106 BPM | ||
| Krupa Satya Sampurnuda | Hosanna Ministries Official | F Minor | 6 | 4A | 98 BPM |