Autopilot's 'Frequencies and Waves' had a release date set for January 1, 2007. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Now It's Time You Know What We're Losing For". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Frequencies and Waves's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Frequencies and Waves by Autopilot having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Be Down | Paul Gillion | A Major | 6 | 11B | 78 BPM | ||
| Above The Skies | Echo Pilot | B Major | 9 | 1B | 140 BPM | ||
| Domino | Autopilot | G Major | 8 | 9B | 120 BPM | ||
| People Talk | The Desert Plaza | D Major | 9 | 10B | 152 BPM | ||
| Oceanside | Autopilot | E♭ Major | 8 | 5B | 152 BPM | ||
| Sleeping With Strangers | Takeover | A Major | 9 | 11B | 132 BPM | ||
| Real Gone | The Blue Van | D Major | 9 | 10B | 152 BPM | ||
| Summer in Harlem | Gordy Murphy | G Major | 9 | 9B | 110 BPM | ||
| Sick of the Sight of the City | Kieran Arnold | A Major | 8 | 11B | 148 BPM | ||
| still alive | Crocodyle | B Major | 4 | 1B | 131 BPM | ||
| Talk for Days | Moon Bender | A♭ Major | 9 | 4B | 117 BPM | ||
| Letters | Elephants and Stars | E Minor | 10 | 9A | 156 BPM | ||
| Judas | Autopilot | B Minor | 5 | 10A | 101 BPM | ||
| Free From Chains | Milk N’ Fox | G Major | 9 | 9B | 138 BPM | ||
| Misery Loves Company | Fake Shark | D Major | 9 | 10B | 152 BPM | ||
| Come On Back To Me - Concrete Beats | Moving Into Tucson | D Major | 9 | 10B | 116 BPM | ||
| Way Out | Ryan Butler | A Minor | 4 | 8A | 129 BPM | ||
| I´m alive, but just barely | Frode Møller | D Major | 7 | 10B | 109 BPM | ||
| Take A Dive | Tidal Ear | D Major | 9 | 10B | 152 BPM | ||
| Wonderful Lie | Yesterdaze | D Major | 9 | 10B | 152 BPM | ||
| Burning Bridges | Satellite Junction | C Major | 8 | 8B | 135 BPM | ||
| Hands | Kaminski | E Minor | 6 | 9A | 82 BPM | ||
| Our Story | Mott NitRam | B♭ Major | 8 | 6B | 142 BPM | ||
| Easier | Cage King | B♭ Major | 9 | 6B | 145 BPM | ||
| Peak of Her Power | Takeover | G Major | 8 | 9B | 172 BPM |