"Trio for Flute, Viola & Cello, Op. 40: II. Andante" by Albert Roussel, Jayn Rosenfeld, Lois Martin, Robert Martin had its release date on October 5, 2010. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Roussel: Chamber Music with Flute". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Trio for Flute, Viola & Cello, Op. 40: II. Andante is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trio for Flute, Viola & Cello, Op. 40: II. Andante by Albert Roussel, Jayn Rosenfeld, Lois Martin, Robert Martin having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite d'orchestre No. 3, Op. 79: II. Molto moderato | Moritz Moszkowski, Sinfonia Varsovia, Ian Hobson | F Major | 0 | 7B | 93 BPM | ||
| Serenade for Flute, Violin, Viola, Cello and Harp, Op. 30: II. Andante | Albert Roussel, Academy of St. Martin in the Fields, Skaila Kanga | E Minor | 0 | 9A | 174 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'arbre aux légendes 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | F Major | 0 | 7B | 87 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Le festin de l'araignée (The Spider's Banquet), Op. 17: Pt. 1: Tres anime - Entree des Fourmis [Entrance of the Ants] | Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève | C Major | 1 | 8B | 93 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | F Major | 0 | 7B | 87 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Sérénade pour flûte, violon, alto, violoncelle et harpe, Op. 30: II. Andante | Albert Roussel, Montreal Chamber Players | C Minor | 1 | 5A | 78 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | F Major | 0 | 7B | 87 BPM | ||
| Danzas fantásticas: III. Orgía - Live | Joaquín Turina, Orchestre Divertimento, Zahia Ziouani | D Major | 2 | 10B | 98 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Aleko: Introduction | Sergei Rachmaninoff, Gianandrea Noseda, BBC Philharmonic Orchestra | G Minor | 0 | 6A | 64 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM |