Mary Gauthier's ' "How Could You Be Gone" was released on its scheduled release date, June 3, 2022. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The song is number 4 out of 10 in Dark Enough to See the Stars by Mary Gauthier. How Could You Be Gone is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of How Could You Be Gone by Mary Gauthier is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sister Tilly | Natalie Merchant | C Major | 3 | 8B | 110 BPM | ||
| Walking on the Wall | The Whileaways | A Major | 5 | 11B | 81 BPM | ||
| Holding Up the Sky | Buddy & Julie Miller | G Major | 5 | 9B | 135 BPM | ||
| Great Confession | Amanda Anne Platt & the Honeycutters | D Major | 1 | 10B | 84 BPM | ||
| What Do We Do Now | John Hiatt | D Major | 3 | 10B | 130 BPM | ||
| Forever Has Come To An End | Buddy & Julie Miller | E Major | 3 | 12B | 145 BPM | ||
| Bear Lake County | John Jenkins | E Major | 4 | 12B | 140 BPM | ||
| Down To Believing | Allison Moorer | C Major | 4 | 8B | 197 BPM | ||
| Gone So Soon | John Mellencamp | A Major | 3 | 11B | 138 BPM | ||
| The Truth | Jason Isbell and the 400 Unit, Adia Victoria | D Major | 7 | 10B | 135 BPM | ||
| Till I'm Too Old to Die Young (feat. Fats Kaplin) | Kieran Kane, Kevin Welch, Fats Kaplin | D Major | 3 | 10B | 81 BPM | ||
| If You Could Hear Me Now | The Mammals | B♭ Major | 5 | 6B | 97 BPM | ||
| Drawl | Lilly Hiatt | C Major | 4 | 8B | 110 BPM | ||
| New York | Amanda Anne Platt & the Honeycutters | D Major | 1 | 10B | 95 BPM | ||
| Sweet Dream | John Hiatt, Jerry Douglas | F Major | 2 | 7B | 103 BPM | ||
| Traveling Alone | Tift Merritt | F♯ Major | 1 | 2B | 141 BPM | ||
| Happy Children | Lori McKenna | G Major | 6 | 9B | 121 BPM | ||
| The Light at the End of the Line | Janis Ian | A♭ Major | 1 | 4B | 83 BPM | ||
| Lay Down Low | The Hello Darlins | B♭ Minor | 7 | 3A | 84 BPM | ||
| You Give it All Away | Dar Williams | C Minor | 6 | 5A | 112 BPM | ||
| Coming for You | Amelia Curran | B♭ Major | 2 | 6B | 119 BPM | ||
| Come Pick Me Up | Amy Speace | C Major | 3 | 8B | 117 BPM | ||
| Spring Wind | Greg Brown | F♯ Minor | 2 | 11A | 173 BPM | ||
| Oh Set a Light | Chip Taylor, Carrie Rodriguez | B♭ Major | 4 | 6B | 88 BPM | ||
| Scavenger | Lucy Kaplansky | E Major | 4 | 12B | 78 BPM |