"Concierto para Piano y Orquesta, Op. 22: I. Allegro Moderato" by Ricardo Castro, Rodolfo Ritter, José Miramontes Zapata, Orquesta Sinfónica de San Luis Potosí had its release date on 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Castro: Piano Concerto & Cello Concerto by Ricardo Castro, Rodolfo Ritter, Vladimir Sagaydo, José Miramontes Zapata, Orquesta Sinfónica de San Luis Potosí. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Concierto para Piano y Orquesta, Op. 22: I. Allegro Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concierto para Piano y Orquesta, Op. 22: I. Allegro Moderato by Ricardo Castro, Rodolfo Ritter, José Miramontes Zapata, Orquesta Sinfónica de San Luis Potosí is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Danzas españolas, Op. 37: 4. Villanesca | Enrique Granados, Alicia de Larrocha | G Major | 0 | 9B | 69 BPM | ||
| I. Moderato | Antonín Dvořák, Peter Breiner | E Major | 0 | 12B | 71 BPM | ||
| Maiden's Prayer (Piano Solo) | Xi Tian | D Major | 1 | 10B | 149 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Mouvement Des Doigts en Tenant la Main Tranquille | Carl Czerny, Jean-Frédéric Neuburger | G Minor | 0 | 6A | 72 BPM | ||
| Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | ||
| Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
| Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
| On an Overgrown Path, Series 1, JW VIII/17: No. 1, Naše večery | Leoš Janáček, Jennifer Elowsky-fox | B♭ Minor | 0 | 3A | 92 BPM | ||
| A Doña Vicenta | Los Chamarriteros, Mónica A. Giménez, Ricardo Castro | C Major | 4 | 8B | 90 BPM | ||
| Die Fledermaus (The Bat) Overture, Opus 362 | Gerardo Taube Horowitz | A Major | 2 | 11B | 78 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Andante) | Franz Schubert, Roger Woodward | F♯ Major | 0 | 2B | 66 BPM | ||
| Polka de V. R.: Polka de V.R. | Sergei Rachmaninoff, Yuja Wang | F Major | 1 | 7B | 130 BPM | ||
| Piano Sonata in C Minor: I. Allegro moderato e con espressione | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | ||
| Tears | Alexei Stanchinsky, Peter Jablonski | D Minor | 0 | 7A | 79 BPM | ||
| 6 Pieces, Op. 52: No. 2: Intermezzo (Larghetto in E-Flat Major) | Antonín Dvořák, Stefan Veselka | E♭ Major | 0 | 5B | 64 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Moods, Impressions & Souvenirs, Op. 41, Book 4: No. 139, Lento | Zdeněk Fibich, William Howard | D♭ Major | 0 | 3B | 68 BPM | ||
| Piano Sonata, Op. 53: II. Intermezzo in B-Flat Major | Ludwig Theodor Schytte, Hugh Hodgson, Peter Phillips | G Major | 1 | 9B | 140 BPM | ||
| Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | G Minor | 0 | 6A | 138 BPM | ||
| On an Overgrown Path, Book 1, JW VIII/17: No. 10, Sýček neodletěl! | Leoš Janáček, Jennifer Elowsky-fox | A♭ Minor | 0 | 1A | 74 BPM | ||
| Sonata for Cello and Piano No. 1 in E Minor, Op. 38: I. Allegro non troppo | Johannes Brahms, Alisa Weilerstein, Inon Barnatan | C Major | 1 | 8B | 134 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. for Piano by Giovanni Sgambati) | Christoph Willibald Gluck, Dmitry Paperno | D Minor | 0 | 7A | 76 BPM | ||
| Recordações | Lula Barbosa, Ricardo Castro | G Major | 2 | 9B | 76 BPM | ||
| Artist's Life, Opus 316 | Gerardo Taube Horowitz | B♭ Major | 4 | 6B | 176 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM |