"Pictures at an Exhibition: Promenade V" by Modest Mussorgsky, Khatia Buniatishvili had its release date on February 5, 2016. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Khatia Buniatishvili's "Kaleidoscope - Mussorgsky, Ravel, Stravinsky" album is number 11 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Pictures at an Exhibition: Promenade V is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pictures at an Exhibition: Promenade V by Modest Mussorgsky, Khatia Buniatishvili to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 82 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" - Recorded 1966 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 182 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
| IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | D Minor | 2 | 7A | 82 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 2 | 11B | 76 BPM | ||
| Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM |