"Seduction" by Balanescu Quartet had its release date on May 28, 2015. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 22 in Angels & Insects (Reissue) by Balanescu Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Romania. Seduction is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seduction by Balanescu Quartet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Loved Ones | Hauschka | C Major | 1 | 8B | 134 BPM | ||
| Dolphin (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada | F♯ Minor | 2 | 11A | 86 BPM | ||
| Für Alina - Extended Version | Arvo Pärt, Alexander Malter | B Minor | 0 | 10A | 68 BPM | ||
| Autumn Music 1 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
| Scene 3 | Michael Galasso | G Major | 1 | 9B | 126 BPM | ||
| Only Lovers Left Alive | Jozef Van Wissem | A Major | 4 | 11B | 101 BPM | ||
| By This River (Arr. Badzura) | Brian Eno, Roedelius, Moebius, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | G Minor | 1 | 6A | 85 BPM | ||
| Attack/Transition | alva noto, Ryuichi Sakamoto, Ensemble Modern | D Major | 0 | 10B | 78 BPM | ||
| Astragale | Gaspar Claus | G Minor | 1 | 6A | 160 BPM | ||
| Winter Variation | Meredith Monk | A Minor | 0 | 8A | 96 BPM | ||
| Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
| Staircase to Nowhere | Jim Perkins | D♭ Minor | 3 | 12A | 71 BPM | ||
| Aether | Cedric Vermue | A♭ Minor | 1 | 1A | 66 BPM | ||
| II. The Day Before | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | A♭ Major | 3 | 4B | 127 BPM | ||
| Galaxies | Kronos Quartet, Laurie Anderson | A♭ Major | 4 | 4B | 172 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Femme fatale: II. Hedda Gabler | Belinda Gehlert, Zephyr Quartet | E Minor | 1 | 9A | 108 BPM | ||
| Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| Time Machine Suite / Molto Patetico | Elisabeth Skornik, Guy Skornik | F Major | 2 | 7B | 94 BPM | ||
| Abandoned Places | Teodor Wolgers | C Major | 2 | 8B | 100 BPM | ||
| III. Sequence (Eight) | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | B♭ Minor | 1 | 3A | 62 BPM | ||
| Old Motors and Helicopters | Kronos Quartet, Laurie Anderson | B♭ Minor | 4 | 3A | 106 BPM | ||
| Charades | Balanescu Quartet | C Major | 2 | 8B | 100 BPM | ||
| Matty's Room | Balanescu Quartet | A Minor | 1 | 8A | 88 BPM |