Redlight's ' "A James Bond Complex" was released on its scheduled release date, October 24, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Redlight's "Magic / A James Bond Complex" album is number 2 out of 2. On top of that, France appears to be the country where this track was created. In terms of popularity, A James Bond Complex is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of A James Bond Complex by Redlight to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cherry Blossoms | King Kuiper | C Major | 9 | 8B | 144 BPM | ||
| Can I Get a Maybe? | KID DAD | E Major | 7 | 12B | 162 BPM | ||
| I'm Waiting For The Man | George Mashour | A Major | 4 | 11B | 120 BPM | ||
| TV & Monsters | Sauvage Rule | C Major | 5 | 8B | 100 BPM | ||
| Clockworks | Juno Pearl | E Major | 5 | 12B | 106 BPM | ||
| We All Belong In Love | Double Truck | F♯ Major | 8 | 2B | 120 BPM | ||
| Fine & Dandy - Single Edit | Rob Harrowven | G Major | 4 | 9B | 171 BPM | ||
| Get Away! | Atalaya Roja | B Major | 6 | 1B | 125 BPM | ||
| Wrong | Redlight | F♯ Minor | 5 | 11A | 120 BPM | ||
| Blindside | SILUETT | F♯ Major | 8 | 2B | 120 BPM | ||
| My Name Is | Redlight | A Major | 7 | 11B | 93 BPM | ||
| Aftermath | Fourteen Rules | B Minor | 7 | 10A | 129 BPM | ||
| Heaven's Deep Blue Sky - Radio Edit | Leo Spauls, Mike Garson | G Major | 5 | 9B | 140 BPM | ||
| Babylon | The Breakdown | A Major | 10 | 11B | 135 BPM | ||
| Fly Again | Elephant Moon | F♯ Major | 8 | 2B | 120 BPM | ||
| Heartful of Sorrow - Redux | Mal Fantome | D Major | 5 | 10B | 78 BPM | ||
| Neon Delusion | SILUETT | F♯ Major | 8 | 2B | 120 BPM | ||
| Solarcide | The Boo Radleys | D♭ Major | 9 | 3B | 118 BPM | ||
| All Ways Forever | Dez Rocket | F♯ Major | 8 | 2B | 120 BPM | ||
| (Just Like) Arcadia | Stiggenasty | F♯ Major | 8 | 2B | 120 BPM | ||
| Highway II | SUEP | F♯ Major | 8 | 2B | 120 BPM | ||
| Louder Than The Blues | Pseudocolors | D♭ Minor | 8 | 12A | 142 BPM | ||
| The Truth Will Set You Free | Ade Wilding | B Minor | 6 | 10A | 180 BPM | ||
| Higher Than A Hawk | Martina and the Moons | F♯ Major | 8 | 2B | 120 BPM | ||
| Cannonball Man | Ryan O'Connell | D Major | 10 | 10B | 150 BPM |