"The Barheim Passage - Zodiac Age Version" by 崎元仁 had its release date on July 19, 2017. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 33 out of 99 in FINAL FANTASY XII THE ZODIAC AGE ORIGINAL SOUNDTRACK by Hitoshi Sakimoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, The Barheim Passage - Zodiac Age Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Barheim Passage - Zodiac Age Version by 崎元仁 is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Architects of Prifddinas | Jagex Audio Team, Julian Surma | D Minor | 6 | 7A | 160 BPM | ||
| Credits | 崎元 仁 | G Major | 3 | 9B | 120 BPM | ||
| オープニングタイトル | 伊藤 賢治 | E Major | 3 | 12B | 93 BPM | ||
| 「Blue Fields - arrange -」 from FINAL FANTASY VIII | SQUARE ENIX MUSIC | F Major | 5 | 7B | 160 BPM | ||
| Rabao | Naoshi Mizuta | D Major | 5 | 10B | 172 BPM | ||
| Aerith's Theme - Return to the Planet Medley (Final Fantasy VII Rebirth) | Arnie Roth, Distant Worlds Philharmonic Orchestra | D Major | 2 | 10B | 129 BPM | ||
| Deep Forest Night | 裏谷玲央 | G Minor | 2 | 6A | 80 BPM | ||
| ノックアウト! | 鈴木光人 | A♭ Major | 9 | 4B | 90 BPM | ||
| Rah, Rah, Roche! - FF7 Rebirth OST Ver. | 鈴木 光人 | B♭ Major | 3 | 6B | 86 BPM | ||
| Nalbina Fortress | 崎元仁 | G Major | 3 | 9B | 120 BPM | ||
| CRISIS CORE Theme - Dreams and Honor | 石元 丈晴 | E Minor | 5 | 9A | 80 BPM | ||
| Boss Battle | Hitoshi Sakimoto | B♭ Minor | 5 | 3A | 145 BPM | ||
| The Riverlands | Yasunori Nishiki | B Minor | 1 | 10A | 160 BPM | ||
| Town Veiled in White | Yasunori Nishiki | B♭ Minor | 1 | 3A | 136 BPM | ||
| Refill | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | C Major | 8 | 8B | 130 BPM | ||
| Mag Mell, the Fairykind's Sanctuary | Revo | D Major | 6 | 10B | 172 BPM | ||
| Serenity | Masayoshi Soken | D Major | 1 | 10B | 150 BPM | ||
| March of the Dreadnoughts | Masashi Hamauzu | F Major | 4 | 7B | 136 BPM | ||
| Standing Tall (The Mountains of Kortara) | Eddie Marianukroh | D Major | 7 | 10B | 125 BPM | ||
| Final Fantasy III: Eternal Wind | Arnie Roth, Distant Worlds Philharmonic Orchestra | A Minor | 4 | 8A | 125 BPM | ||
| Not of This World | 上松範康 | B♭ Major | 2 | 6B | 107 BPM | ||
| Sorrow (Final Fantasy XII) | Eric Roth, The New World Players | B Minor | 2 | 10A | 54 BPM | ||
| Shaded Truths | Takeharu Ishimoto | E♭ Major | 5 | 5B | 140 BPM | ||
| Passing Away Days | Falcom Sound Team jdk | E♭ Minor | 2 | 2A | 70 BPM | ||
| 箱舟 | 鈴木光人 | C Major | 3 | 8B | 80 BPM |