Ruth Etting's 'Let Me Call You Sweetheart' had a release date set for January 24, 2018. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Let Me Call You Sweetheart's duration is considered a little bit shorter than the average duration of a typical track. The song is number 87 out of 100 in Anthology Vol. 1 by Ruth Etting. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Let Me Call You Sweetheart is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Let Me Call You Sweetheart by Ruth Etting is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's A Sin To Tell A Lie | Fats Waller | C Major | 3 | 8B | 114 BPM | ||
| Isn't It Heavenly | Lew Stone & His Band | A♭ Major | 1 | 4B | 104 BPM | ||
| Talk of the Town | Ted Weems & His Orchestra | E♭ Major | 3 | 5B | 109 BPM | ||
| Loving You the Way I Do | John Vincent's Californians | C Major | 3 | 8B | 84 BPM | ||
| Cry, Baby, Cry | Larry Clinton, Bea Wain | F Major | 3 | 7B | 97 BPM | ||
| My Handy Man - Remastered | Ethel Waters | A♭ Major | 6 | 4B | 106 BPM | ||
| You May Be Fast, But You Won't Last | Marion Harris | F Minor | 2 | 4A | 172 BPM | ||
| My Man | Fanny Brice | G Major | 2 | 9B | 77 BPM | ||
| I Ain't Got Nobody - Alternate Take | Sophie Tucker, Miff Mole's Molers | F Minor | 2 | 4A | 172 BPM | ||
| On the Beach with You | Bunny Berigan, Chester Leighton & His Sophomores | F Minor | 2 | 4A | 172 BPM | ||
| No Love, No Nothin' | Ella Mae Morse | F Minor | 2 | 4A | 172 BPM | ||
| Ma! (He's Making Eyes at Me) | Eddie Cantor | F Minor | 2 | 4A | 172 BPM | ||
| Smoke Gets In Your Eyes | Ruth Etting | D Major | 3 | 10B | 131 BPM | ||
| Oh, Baby! | Hal Kemp And His Orchestra | A♭ Major | 2 | 4B | 176 BPM | ||
| I'll Be With You In Apple Blossom Time | Albert von Tilzer, Henry Burr, Albert Campbell | G Major | 2 | 9B | 82 BPM | ||
| Crazy Rhythm | Roger Wolfe Kahn & His Orchestra | A♭ Major | 3 | 4B | 93 BPM | ||
| What A Diff'rence A Day Made | Dorsey Brothers Orchestra | B♭ Major | 1 | 6B | 108 BPM | ||
| Happy Days Are Here Again | Jack Hylton & His Orchestra | C Major | 4 | 8B | 120 BPM | ||
| I Don't Want You to Cry Over Me (Recorded September 1923) | Marion Harris | B♭ Minor | 2 | 3A | 89 BPM | ||
| Is There Anything Wrong in That | Helen Kane | F Minor | 2 | 4A | 172 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Minor | 2 | 4A | 172 BPM | ||
| I've Got a Feeling I'm Falling | Annette Hanshaw | G Major | 3 | 9B | 85 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| Sunday | Abe Lyman | G Major | 3 | 9B | 103 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | F Minor | 2 | 4A | 172 BPM |