Shiny Toy Guns's 'Take Me Back to Where I Was' had a release date set for October 22, 2012. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shiny Toy Guns's "III (Deluxe)" album is number 11 out of 13. On top of that, United States appears to be the country where this track was created. Take Me Back to Where I Was is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Take Me Back to Where I Was by Shiny Toy Guns to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Not Allowed | Copeland | A Minor | 8 | 8A | 142 BPM | ||
| Rubik's Cube | Athlete | C Major | 4 | 8B | 118 BPM | ||
| Wait for Me | Shiny Toy Guns | C Major | 3 | 8B | 133 BPM | ||
| The Angels Were Singing | Matthew Perryman Jones | F Major | 2 | 7B | 178 BPM | ||
| Coming to Terms | Carolina Liar | A♭ Minor | 6 | 1A | 90 BPM | ||
| (If You Want It) | Relient K | F Major | 4 | 7B | 91 BPM | ||
| Raining | of Verona | A♭ Major | 8 | 4B | 142 BPM | ||
| Me and You | Carolina Liar | G Minor | 9 | 6A | 135 BPM | ||
| Story | Great Northern | A♭ Major | 9 | 4B | 118 BPM | ||
| How Do I Fix My Head | Straylight Run | A Minor | 6 | 8A | 145 BPM | ||
| Sleeping In - Remastered | The Postal Service | C Major | 7 | 8B | 129 BPM | ||
| Rx | MXMS | F Major | 6 | 7B | 149 BPM | ||
| Dreamer | Uh Huh Her | G Minor | 6 | 6A | 130 BPM | ||
| Where Would You Like Them Left? | Blaqk Audio | A Minor | 8 | 8A | 120 BPM | ||
| Synthetica - Acoustic | Metric | A Minor | 4 | 8A | 101 BPM | ||
| Familiar | Mackintosh Braun | D Minor | 8 | 7A | 118 BPM | ||
| I Woke Up Near The Sea | Lydia | D Major | 6 | 10B | 116 BPM | ||
| Breathing Underwater | Metric | B Minor | 9 | 10A | 141 BPM | ||
| A Tattered Line of String | The Postal Service | G Major | 9 | 9B | 140 BPM | ||
| No One Really Wins (Acoustic Version) | Copeland | D♭ Major | 4 | 3B | 118 BPM | ||
| Reaching the Potential | A Silent Film | B♭ Major | 7 | 6B | 125 BPM | ||
| No More Secrets | Carolina Liar | G Major | 8 | 9B | 115 BPM | ||
| The Finish Line | Snow Patrol | C Major | 2 | 8B | 172 BPM | ||
| The Fear Of Being Found | Blaqk Audio | E Minor | 4 | 9A | 180 BPM | ||
| A Heavy Abacus | The Joy Formidable | A Major | 9 | 11B | 179 BPM |